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A: listen dumbass, the police have radios and they can call other police on them to catch you if you attempt to get away. they are also in general pretty angry, agro-type people who really don't like it when you attempt to get away from them, so if they catch you they might try beat the crap out of you just for the hell of it. i don't know what this friend of your's was trying to prove maybe he was drunk or stupid or possibly both ; but even if you are a great rider and could possibly elude the cops the fact remains that it is very hard to do and the results of getting caught are not that fun. the best thing to do is simply pull over and take the ticket then be on your way; they don't cost that much. i mean most of us know how easy it is to elude one car or maybe in the perfect situation to evade the police completely, but those situations are rare and most likely you would have to pull of f some of the most amazing moves known to mes sengerdom to get away and risk getting killed in the process. it is simply not worth it. just pull over, listen to what ever sort of lecture they want to give you and pay the ticket if you get one and then that is the end of it. however if you run from them and get caught the results are not that pleasurable unless you like the color orange and bad peanut-butter and jelly sandwiches and being confined to a room the size of a closet. now get hot, rookie! have a question for dr. crank, our all-knowing and craps betting.
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Play the next chapter or track and craps how to. 3 p.m.: finals of the university of texas at dallas' annual texas guitar competition will be in the university's conference center, followed by a reception and evening concert featuring the three winners. general-admission tickets are . best slot machine | Asking many, many people, but the number i had didn't exist somebody told me as much. ; i called the girl again from a payphone it cost me us. but now i know how they work. the phones display the time when you pick up the receiver, which is very convenient when you don't speak the language. ; so i think girlfriend tells me that she rented the place out since i last called. whatever. at this point, i was strongly in the mood to assume the foetal position and die. it is physically possible that she found a new roommate in the last two hours, but the likely story is that she didn't like my accent. i would class being the brunt of discrimination, especially in life & death matters such as house or job hunting, as unpleasant. it should be illegal. when i got home, i had missed david, who left to see a movie while i was getting screwed, so i just peeled off my socks, watched los expedientes x with a pathetically dubbed moulder & sculley, and went to bed. by the way, they even overdub stuff like grunting & screaming, and watching a badly dubbed shriek has to be the funniest thing on tv, even above lip-reading expletives on sporting events. the next day, i went to the other university to get more fliers. it was massively discouraging, because it all gave me a massive sense of not belonging. here were all these beautiful people, talking amongst themselves in their beautiful language, and there's me, looking lost. i came back with nothing at all. though earlier in the day i had bought a segundomano. you buy the paper, but people place the ads for free, so you have loads of crap worth next to nothing for sale in it. it had three pages of roommates wanted. the first apartment that i called had a guy with an incomprehensible accent. some folks are just easier than others, and this guy was near impossible. he handed me off to a girl who spoke a few words of english, and she told me to come over in an hour. i left shortly thereafter, and arrived in about 40 minutes. the neighborhood was extremely busy. it was a prime shopping strip, with loads of expensive shops and grandiose movie palaces and a pizza hut. the apartment was on a tiny street by the gran via, and it was ug-ly. however, as soon as you got off the main street, it got really quiet. it seems true throughout madrid that if you don't like a street, you just have to go a block down to find something different. i rang the buzzer, and i guessed that they told me the apartment wasn't ready, so i kept walking around. the neighborhood north of gran via is relatively poor, though it seemed ok to me. there were a lot of sex shops, which should have been a tip-off. a whore who was the closest thing i'd ever seen to a man in drag without being a man was standing outside of one shop i know it was a woman because she was displaying more than enough breast to confirm their reality ; . a block down i was propositioned by another. she was skinny and stoned, and i just felt really sorry for her. `quieres pasar la noche conmigo?' `i'm sorry, i don't speak spanish' `oh. would you like to spend the night with me?' `i'm sorry, but no.' `would you like to go for a drink?' `thanks, but i have to find myself an apartment. do you know who's renting this one?' [i point to a nice-looking apartment with a for rent sign] `no, i don't. just one drink?' `i'm sorry, but i have to find an apartment. good bye.' and rules for craps.
Id finally made it to the new busch stadium. seven syllables: overhyped, under-whelming. after hundreds of millions of dollars, we expect a demonstrably better product. we want a gillette sensor or a sgt peppers. the new stadium is like a trac iv or yellow submarine. when hockey fans went from the rafters of the old arena to gorgeous sightlines of the kiel it was clearly a better spectator experience. new busch, not so. it's basically the same experience. during id's visit, we overheard twice the question, "why did we build a new stadium?" the fans looking around don't know. that's a bad sign. the answer: money, honey. a jobs program for the city of st. louis, and we don't mean the unions and contractors although they got their piece. we really mean the lawyers, the architects, the bonds-people, and the multiple middle layers of greasers and dealers that a big project feeds. and it gets better. in fifty years, st. louis will be fifteen years behind the trend again. and across the country, the new retro will be cookie-cutter, old-style arenas with presence that herald great games inside. we'll be re-building busch i and everyone's children will get paid. and so generations of st. louisans stay on welfare. anyone watching the crap going on in jefferson city?: senate bill 666 shouldn't they skip that number the way hotels don't have 13th floors ; was amended by dwi rep. portwood. it'll let the fireman leave the city just like the policemen. peter down's slps watch hasn't figured out its place yet: it was easy to act outraged from the outside, but now it's time to answer its own criticisms. the latest heavy-handed anonymous critiques of superintendent creg williams forgot to address the larger issue: if williams efforts to improve student academics are so bad, where's the board majority? talk is cheap. let's see the teachers' union magic program to improve the district. one that goes beyond telling us how everyone else is wrong. enough to make a goy go oy!: of all the tangled webs that have been woven, this school board tale of politicking is the best we've heard. the story comes to id from a player in the know but without a dog in the fight ; : a well-known businessman has contracts with slps, but the mayor's reform slate comes in and to cut costs, they cut his contract. he's pissed and hires protesters to go to board meetings to heckle, be disruptive at a meeting ; . finally rejoins the civic fold and backs the mayor's slate last election. he gets contracts again, but the mayor's slate loses and. his contracts are pulled again.
Themes of perfectionism and cultivating quality ideas were met with: `you have permission to write crap, because crap is the best fertilizer.' and `monitor the quality of ideas you choose to spend your time with. stay in places you find incredibly joyous and deeply moving.' we spent the rest of our time on what it means to take song-writing to the `next level'. we learned how line length, rhyme scheme, and staying bound to your senses in writing can help you amplify meaning, and draw the listener in. `pull me into the song by making me see, touch or taste something. when you write something sensebound, put it in as soon as you can. it drips down like dye, colouring the rest of your song but it can't drip up.' at the end of the first day we were buzzing with ideas and possibilities. the second day was for critiques of our songs. when pat heard our nervous murmurs he said something that summed up the weekend. `i'm not interested in what you do with that song. i'm interested in helping you write a better song next time you sit down to write.' the next day i was armed with a song i was fairly confident with. it had received reviews praising the `poetic honesty' of the lyrics, positive feedback at gigs and triple j airplay. still, as it played to a room full of songwriters, my adrenalin rose. pat looked tired and craps table layout. |
Interpret the zoning ordinance. hear and decide appeals of alleged error in decisions made by an administrative official in the enforcement of the provisions of the zoning ordinance. hear and decide special use permits and variance applications. the zoning administrator may refer any of the maters on which he is authorized to rule directly to the board of adjustment or city council for action and running martingale.
U-1 e f ; ; f where has support . a dm displays smooth ambiguity aversion if she displays smooth ambiguity aversion at f, ; for all f f and all supports . in a similar way, we can define smooth ambiguity love and neutrality. the proposition below shows that smooth ambiguity aversion is characterized in the representing functional by the concavity of . the proposition also shows that smooth ambiguity aversion is equivalent to the dm being more risk averse to the subjective uncertainty about the right prior on s than he is to the risk generated by lotteries whose probabilities are objectively known ; . a result characterizing smooth ambiguity love by convexity of follows from the same argument. similarly, smooth ambiguity neutrality is characterized by linear. it is worth noting that a straightforward adaptation of the proof of the analogous result in risk theory does not suffice here. the reason is that the needed diversity of associated second order acts is not guaranteed in general. proposition 1 under assumptions 1-4, the following conditions are equivalent: i ; the function : u r concave; ii ; v is a concave transform of u; iii ; the dm displays smooth ambiguity aversion. the proposition has the following corollary whose simple proof is omitted ; which shows that the usual reduction between and ; applies whenever ambiguity neutrality holds. in that case, we are back to subjective expected utility. an ambiguity neutral dm, though informed of the multiplicity of 's, is indifferent to the spread in the ex ante evaluation of an act caused by this multiplicity; the dm only cares about the evaluation using the "expected prior" . 20.
Activities are underway for the complete renovation of the pool facilities. this board is working hard to ensure all work is done and a reliable pool management company is selected. in addition, all rules surrounding pool use are being resolved. additional information will be provided to the community as work is completed and additional services of the pool are identified and craps tips.
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Growth in the use of the internet is rapidly spurring interest in electronic commerce--the ability to electronically bring the buyer consumer ; and seller together to effect payment for goods and services when the buyer and seller are physically separated. consumers envision a world where they can buy information and other goods and services, pay bills and perform other banking-like activities in the convenience of their homes using a telephone-based device, an interactive tv or a connected to the internet. smart cards are playing a major role in making this vision a reality and craps gambling. Parkinson's disease is more advanced, and who take high doses of anti-parkinsonian medications to maintain motor function. recent reports suggest that it may also be intensified through use of dopamine agonists, but the behaviors can develop in the context of any anti-parkinsonian medication -- or after neurosurgical treatments such as deep brain stimulation. in pd, dopaminergic medications replace the loss of dopamine that result from degeneration of the substantia nigra, the "black substance" region of the brain that controls most of our ability to move. however, this is not the only dopamine-producing neural system that is affected by the disease and by dopaminergic medications. impulse-control disorders are thought to be related to abnormalities in the brain's "reward circuit, " which is also a dopamine-mediated neural system, and sensitive to dopaminergic medications. why it is that only some patients are affected this way while others are not is unclear, but one possible answer may be found in genetic differences in the dopamine system. as in the general population, problem behaviors appear to be more common in men than women with pd, and in patients with young-onset pd. frequently, more than one impulsecontrol disorder is present, sometimes accompanied by psychotic symptoms that is, hallucinations or delusions ; or a mood disorder depression or anxiety ; . impulsive behaviors in people with parkinson's can also be a feature of hypomanic or manic disturbances, which are typically characterized by persistently elevated, expansive, grandiose or irritable mood states. Joyce gently started to explain why they had reached their conclusion. she showed me several pages of lab reports from my blood work and said they had been tracking the liver enzyme, ldh. the normal range was 450 to 625, but over the past two weeks, mine had more than quadrupled to over 2400. my increased ldh rate indicated tumor growth, which meant renewed activity of mantle cell lymphoma. joyce continued to decipher my counts. i wasn't computing much by then, and interrupted, "i don't want to work with this doctor. i want to work with kornblau until dr. medina gets back." "i'll find him and i'll be back this afternoon before you are finished." i thought, `i'll be dead by thanksgiving. not much else to do but to see what they have to say.' the transplant didn't work. this crap grows fast. i calculated that it would take me out in three to six months. i decided i wasn't going to die, a bag of bones, up there on the eleventh floor, so i began to formulate a plan. if these doctors failed to slow-down the growth of the lymphoma and there was no hope, then i would go back to africa. i would go to the karoo desert with my brother john, tandy, patsy, and basha. i would ask nicki van reenen to guide us. we would drive the desert for a few days, then one night around our camp fire, we would cook, drink champagne and listen to willie nelson, louis armstrong and agustin lara. we would tell stories, and laugh a lot. i would put my head in basha's lap and hold her tightly around the waist. then i would slip away into the night, and kill myself. i wasn't sure how; not with my pistol. i wouldn't want to do that to those who would find me. i could buy some poison on the black market in cape town. that would work. in my mind i saw this like a little movie. knowing that it was made, i could put it up on shelf. the comfort of knowing it was there enabled me to go forward on a clear path without debating what to do and how to do it. joyce came back with dr. kornblau. my anxiety took over. "doctor, i asked for you because you've taken care of me before, but i want you to know i in and craps systems. Hey tandem! college is wowie! i've only been at college for two weeks and i must say i'm a little overwhelmed by the complete change in lifestyle. even though i'm only taking two theater classes, a music class, and beginning french, it seems like the homework is constantly being assigned. also, there are so many groups and organizations and meetings and auditions taking place, i find it very handy to actually carry around a little planner that reminds me of all the things i could possibly add to my already hectic life. the campus is beautiful, there's a whole foods down the street yes! ; , some new friends and i are taking the train into nyc next weekend, i'm seeing bob dylan in november, i'm working at a professional shakespeare company, i'm eating plenty of ben & jerry's every night, i'm doing lights for a show this month, i'm taking guitar lessons, and i'm riding my bike everywhere. i really love it. although, i think i still have some settling in to do. also, my body has somewhat started to accept the fact that i never get to bed before 2 a.m., and i have many cups of coffee a day. the work isn't what's keeping me up by the way. it's mainly late-night conversations with the awesome friends living in my building. ; anyway.i miss tandem!!! i miss knowing and saying hello to everyone i see! i miss morning meeting! i miss you wonderful people! hope all is well down there. --addie horan, drew university plebe summer-- over this past summer, my life has been radically changed. i went from being a "nasty civilian" to a midshipman in the navy in a little over six weeks. since june 28th, my life has been something that many would describe as crazy and masochistic. as a fourth class midshipman, we are called plebes. the expression dates back to ancient rome, where the beggars and peasants were called plebeans. they were the lowest class of citizen and so are plebes at the naval academy. there is a whole set of ridiculous rules and regulations that we have to abide by or face punishment that is even worse. for example, we are not allowed to sleep from 6 a.m. until 10 p.m. and we usually get up earlier than that and go to bed later. from six thirty in the morning until eight at night, plebes have to "chop" inside the bancroft hall dormitories. chopping involves running with high knees down the middle of the passageway and making ninety-degree turns at corners and intersections. every time you turn a corner, you have to sound off yell ; with a, "go navy, sir!" or "beat army, sir!" you get used to it, though. there are also fun things that we get to do. over the summer, we got to practice shipboard damage control, run obstacle and endurance courses, shoot rifles and pistols and even go sailing, so it wasn't all bad. one may ask, "why would anyone subject themselves to such misery?" it is a good question. my answer is, i didn't come here for all the hoops that plebes have to jump through, i came for a first-rate education, leadership training, and to serve the country as an officer in the navy. --charles randolph, u.s. naval academy i'm having an absolute blast at dickinson! i surrounded by some of the coolest people i've ever met not as cool as tandemites, of course ; and every day i continue to be surprised by some new aspect of campus i didn't know about before. i love my classes, though they're a lot of work. my seminar teacher in particular is really tough. you don't want to open your mouth in class unless you've written a couple of thesis papers on what you're about to say, because if it isn't explicitly supported, it is promptly torn apart. that makes him sound like a real monster, but he's actually one of my favorite teachers. his class is definitely the most interesting, except for geology. but hey, nothing can compete with geology. Determine if uniform granules are being formed; regulates feed of material, rotation of pelletizer amount of water spray, and heat of oven to insure pellets are produced to specifications; opens inspection ports on oven and observes or removes pellets for examination to ensure specified hardness and heat. 7329.25 clay maker pottery ; prepares and makes clay for making pottery articles. mixes different types of clay manually or in mixing machine fitted with double shafts and rollers; adds required quantity of water for mixing clay; stacks clay in yards for curing and drying ; checks by sight and touch that moisture contents of clay are to required standard for pressing; adds more water if required; feeds conveyor with cured clay for dropping in mixing and pug mill or feeds mill manually with clay. 7329.30 sorter, glass products sorts finished glass products for uniformity, size and quality. examines glass or glass ware for conformity to specification ; measures and checks dimensions, shape, patterns and casting with measuring instruments or gauges ; scrutinizes product for cracks, scratches, non-uniformity of colour and other flaws and sorts glass products into first second, third etc., quality depending upon finish of products; rejects imperfect product and piles them separately. may remove minor surface scratching by grinding surface with rouge and smooth rough edges using belt sander. 7329.35 checker; examiner ; sorter ceramics ; examines pottery and porcelain ware by touch and sight at different stages of production, rejects defective pieces and classifies goods according to quality. 7329.40 sorter, brick and tile; checker, brick and tile sorts burned bricks, tiles or refractory goods according to colour shade ; , hardness and quality. removes product from kiln, examines it visually for colour, hardness and shape; taps product with finger or wooden rod to judge quality by sound ; discards broken pieces; sorts and marks in chalk products according to shade, quality, etc. may be designated according to material sorted as brick sorter; tile sorter, etc. 7329.90 glass makers, potters and related workers, other include all other workers engaged in glass forming, pottery and related activities by manual or mechanical processes, not elsewhere classified. 733 handicraft workers in wood, textile, leather and related materials handicraft workers in wood, textile, leather and related materials apply traditional techniques to produce articles for personal or household use, as well as for decorative purposes. 7331 handicraft workers wood and related materials in and winning at craps.
Page 3 accusing the talk-show host of having "a small po-po . an austrian term for tiny weenie, " or declaring after the election: "the people of california have spoken. and they have said a resounding `yes' to the groping and a resounding `yes' to hitler!" "people are really responding to the arnold in the way they responded to the bill clinton i used to do, and it's because the photograph gimmick gives me a license that other impersonators may not have . it's funny to take the guy's actual face and just tear it apart in an inaccurate, over-thetop impression, " mr. smigel said. "it's just great to misrepresent him and represent him at the same time." when i told mr. smigel that his impersonation seemed to get at some basic truths about mr. schwarzenegger, he said: "it was the same way with clinton. the real clinton never screamed or went `neee-hah, 'but you imagine that somewhere in these dark recesses, he'd look at a girl and he'd turn into a wolf from the tex avery cartoons." then mr. smigel seemed to turn into the wolf: "bug-a-bug-a-hummumma-hummmuma, " he said. "after a while, just to make conan laugh, i started throwing in a southern gumbo of whatever i could loosely apply to bill clinton. i turned him into foghorn leghorn for a while, where, when he was explaining things, i'd just have him go, `i say, i say, i say, i say--i didn't do nuthin!'" to shoot a clutch cargo segment requires a key dissolve shot. mr. smigel hides his beard with makeup, and a still photo of the celebrity with his mouth cut out is keyed over his face. i asked mr. smigel if he has as much fun as it looks. he smiled and said, "yeah, it's the best. i'm an inherently shy person. and it's just such a great release." the comedy mr. smigel does out of 30 rock has a "split personality": the triumph and clutch cargo bits are spontaneous performance, but the saturday tv funhouse cartoons for snl feed "an anal comedy writer who wants it to be perfect, paying attention to every detail with a jeweler's loupe." in "are you hot?", celebrity judge fernando lamas rates a pitch-perfect popeye "i'm only going to give you a five for sex appeal because of the mumbling" ; , betty boop, olive oyl "seriously, eat a cheeseburger" ; and barney rubble, who turns out to have quite a bulge beneath his prehistoric tunic. but mr. smigel's tour de force aired on last season's final episode of snl. billed as the "abu dhabi kids network, " the centerpiece was a subtitled arabic cartoon called saddam & osama, in which the two "super titans of jihad" use their magical, transformative powers to elude the u.s. military, turning into a bag of pork rinds and a mustachioed replica of the dodge charger from the dukes of hazzard, the "general lee, " while american intelligence officials are depicted as sodomizers with cowboy hats. meanwhile, the israeli flag flies from the white house, president bush is a frightened monkey "boo hoo hoo! if me don't capture arab soon, me going to crap myself" ; and ariel sharon is under the table performing oral sex on dick cheney while the vice president devours a roast pig. the show then cut to a promotion for an arabic episode of batman in which the caped crusader battles the joker, the riddler and the penguin, identified as "the jew!, " "the other jew!" and "the little old jew!" this was followed by a commercial advertising child-friendly, decal-decorated rocks "shaq, " read one ; , held by ecstatic dancing kids, then to news footage of men pelting tanks. the cartoon was an attack on propaganda, but according to mr. smigel, the nbc censors told him: "we can't censor this, but we're recommending you're going too far." mr. smigel said snl's executive producer lorne michaels told him, "it's on you, you know. if you want the jews to hate you, it's your call." mr. smigel called his father for a second opinion. irwin smigel, the dentist who invented tooth bonding, is also a "devoted, " "strident, " "pro-israel" jew. dr. smigel gave his son the ao.k. "he said, `it's obvious what the joke is, completely defendable. you don't have to worry about anything. the israeli flag at the white house--it's all fine." mr. smigel still keeps the "shaq" rock--the commercial was suggested by his friend and fellow writer, louis c.k.--which is his favorite prop. "it's just, they hate us, but they can't help but like our pro basketball players." he credited the animators of the segment, david wachtenheim and robert marianetti, who do most of mr. smigel's cartoon work, with being "as nerdy with animation as i nerdy about details." the voices of saddam and osama were arab actors who had helped mr. smigel translate the script and made sure he said his lines properly. "and you know, every word is translated as accurately as you could translate it. and every subtitle or every title is completely accurate. we wouldn't do it any other way, " he said. "that would just be disrespectful. it's one thing to parody a state-run arab network when you're making a point. but you don't want to just say, `it doesn't matter.'" what mr. smigel calls his "crazy tunnel-vision" is something of legend in the comedy world. "i feel sometimes like he was born with every comedy bit already in his brain, " said mike sweeney of late night. "when he's humping the dogs [at the westminster show], there's even a look in the dogs' eyes like, `oh god, i doing this right?'" richard korson, the supervising producer on tv funhouse, remembered mr. smigel convincing robert goulet to fly from las vegas the week after thanksgiving to film an epic segment in atlantic city. the bit required mr. goulet to act with a vomiting turtle and triumph, who spent the second half of the segment stuck to the rump of a live poodle, grousing at one point: "i can't go onstage with a poodle attached to my dick. berle did that bit 20 years ago." "it's almost like prime numbers, " said the comedian louis c.k., a friend and collaborator whom mr. smigel hired to help launch late night. "it can't be divided by anything but itself. you can't find its derivatives or its factors.How the scam looks * the graphic at left shows an example of an ie address bar that's been taken over by a phishing web site. the address bar looks normal, but it isn't. it's a graphic with a working input box ; that's been positioned where ie's actual address bar should be. the address in the fake address bar -- part of a real-life example that was launched on mar. 31 -starts out with " s: ". this suggests that you're in a secure session. but you aren't. the domain name that's shown in the address bar in this example is "web.da-us.citibank ". this is followed by a path to an actual login page at citibank. the address that's displayed in the address bar is identical to the one that citibank customers would see if they were visiting their genuine online citibank account. the address of the page the victim is really visiting is hidden. the real address, in this case, is dotted-decimal in 255.255.255.255 format ; so as to obscure the phisher's true identity. such an oddlooking web address would raise questions in the minds of many internet users, if they could see it. this, of course, is why the fake address bar shows a respected address instead. the logos and designs on the phishing site are perfect copies of the actual corporate site. for this reason, up to 5% of customers who receive a phishing e-mail actually enter sensitive information into the hacker's site, according to a new organization that combats such fraud, the anti-phishing working group. click the graphic, above, for an enlarged view and a description of the exploit. or read the description at the anti-phishing site. * weaknesses that give the scam away * the address-bar switcheroo is accomplished by the phishing web site running an html application hta ; or javascript when the visitor clicks the "official" link. the malicious code hides the real address bar and displays the fake one instead.