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This device complies with part 15 of the fcc rules. operation is subject to the following two conditions: 1 ; this device may not cause harmful interference, and 2 ; this device must accept any interference received, including interference that may cause undesired operation. for questions related to the emc performance of this product, contact: intel corporation 5200 n.e. elam young parkway hillsboro, or 97124 1-800-628-8686 this equipment has been tested and found to comply with the limits for a class b digital device, pursuant to part 15 of the fcc rules. these limits are designed to provide reasonable protection against harmful interference in a residential installation. this equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. however, there is no guarantee that interference will not occur in a particular installation. if this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: reorient or relocate the receiving antenna. increase the separation between the equipment and the receiver. connect the equipment to an outlet on a circuit other than the one to which the receiver is connected. consult the dealer or an experienced radio tv technician for help. any changes or modifications to the equipment not expressly approved by intel corporation could void the user's authority to operate the equipment. The "sniffing out" in which his personal hygiene apparently didn't pass olfactory muster. i do, however, know the people he maligned in his weak attempt at some pseudo-hunter thompson journalistic "style" and i can certainly agree--he stinks. for the sake of fuller disclosure, i have recently resigned from american councils after a number of years working there no, mark--i wasn't fired ; . judging by the petulant tone, the real motivation of grueter's expose of nefarious free educa- tional exchanges for russian students was that marky wasn't asked out to play. but i'm glad he is standing up to injustice where he sees it even it is only after he's been 'let go.' ; now that you've some free time, champ, maybe you should get on to saving the free world with your blog. judging by the shrill tone of these online manifestos, i would hazard that coleman's joke about foreign objects in the lower intestinal tract hit grueter too close to home. i could address the 'substance' of your article, but it was substance-free enough to make nancy reagan swoon. you spent most of your space attacking a salad. buck up and be a man. apparently grueter needs a real cause--perhaps the readers of exile could suggest one for him. web research reveals that grueter once con- sidered quitting his job to work for pat robertson's presidential campaign. attaboy except you have to get a job first, buddy ; . grueter considers absurd that anyone might judge a country by its expatriate. for the sake of mark greuter, myself and fellow americans, i certainly hope he's right. reed johnson dear mr. johnson, what comes off most from reading your letter is that greuter's piece about your crap organization didn't hurt you folks at all. nope, not a wick! seriously, i mean from where we're sitting, it looks like you guys are totally laughing it off, and you just fired off this letter literally while on the go. really, we're fooled mr. johnson, and we're no fools either. by the way, if you actually know how to work a google search, you'd know that grueter didn't consider working for pat robertson's campaign because, well, mark was just li'l markie back then. the guy he was looking to work for was pat buchanan. the same guy whose maga- zine publishes the war nerd. so you know, when you point out that grueter wanted to work for buchanan, you're real- ly delivering the coup de grace. oo, that's gotta hurt! at least it would hurt if only you folks at american councils you're all "folks" now since bush came to power, right? ; could learn to distinguish a "buchanan" from a "robertson, " then we think you'd finally figure out how to run an exchange program properly. and once you do that, heck, who knows, maybe america will figure out a way not to com- pletely fuck up its foreign policy in this part of the world. is that asking too much? but first, mr. johnson, you have to mem- orize this phrase: "there is a difference between the word `buchanan' and the word `robertson.'" think you can do it? and craps how to. Gluttony digest, spring 2003 -48from: marc pfeuffer sent: monday, march 10, 2003 1: to: sam dvorchik subject: fw: monday morning gd is a snake eating it's own tail. from: brinton adams [ redacted ] sent: monday, march 10, 2003 11: to: sam dvorchik subject: gd clarifications yes, you fuck, i see. no worries. so what i really want to do is create a think piece for the modern, under 30, disenfranchised who feel that their little bite of the dirty-water dog with extra chili and sauerkraut is not enough. i must speak from the heart. therefore, i believe my first submission will be an historical review of sorts, a compendium of the reasons, explanations and logic used to avoid going to work. from the most outrageous to the most sincere, from the heights of stupidity to the serene plateau of truth, i will explore the plethora of excuses and catastrophes that have kept us all from punching in at 9: 00. what do you think? it will require a little research but the product might be quite entertaining. p.s. your inclusion of "adumbrate" did not go unnoticed. very nice. always, brit date: mon, 10 mar 2003 11: 16: -0800 pst ; from: "gd" gluttonydigest yahoo subject: in dedication greetings. "overwhelming" is the only word the editors can employ to describe the intellectual tsunami created by this morning's call to arms. the editors are considering quitting their jobs in order to fully harness the raw force of nature gd has become. the editors humbly thank you for your submissions, ideas, &tc., and please, keep `em coming. meanwhile, as with any formal publication, the editors would like to dedicate the premiere issue to someone special. current candidates include: 1. 2. 3. sorrell brooke the yale43 educated actor who played boss hogg on tv's "the dukes of hazzard" ; keith moon the drummer for the who ; nell carter tv actress broadway diva ; gg allin if you aren't familiar with mr. allin, then you shouldn't be ; the stray domestic animals of north america. 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"public galleries today are becoming increasingly sensitive and aware of their audiences, " shaw adds. erika james' "big toys" is hard to miss. it's a series of brightlycoloured objects of odd shapes and textures with bells and hard-metal rods sewn inside them. one of them resembles a snowman with dreadlocks, while another hangs from the ceiling and looks like an amoeba punching bag. the pieces drew the interest of science student daron ross. "there are metal rods inside, but it looks like a toy, " ross says. "i wouldn't have expected [it] to feel as it does." another piece that catches the eye is max streicher's "big babies, " in which two inflatable, nylon babies lying on their backs take up the entire second room of the exhibit. a few of the artists are visually impaired, including meg lauder. she created a series of about 10 eye patches with different objects glued to them for visitors to touch and try on. for example, one is attached to a fake, silky butterfly sitting atop a short stick. another one has a squishy plastic, neon yellow oval on it that's covered with little yellow arms and miniature googly eyes. the entire show encourages visitors to consider new ways of seeing. jennifer ann wanner, a master of fine arts student, believes it's an interesting concept. "it's making me think about how people who don't have their sight use a museum, " she says. wanner, who paints with watercolours, says she's still hesitant to touch the art because she was always told not to. but interactive art tends to draw people in, she adds. "it's breaking down convention. [people] are spending more time with the pieces than they would if they just used one sense." "a sense of space: the blind culture" is on display at the mcintosh gallery until april 6 and craps table layout. Role-play has been present in our culture since children first played games. perhaps it goes back even further if one considers the pretend play of young animals as role-play. however, the type of role playing that is under investigation here is the more formalised role playing that relies on a well-defined set of rules. the oxford english dictionary talks of role-players taking on the role of imaginary characters engaging in adventures that are overseen by a referee or computer oxford english dictionary online: draft revision, 2004 ; . this gives a general idea of the experience of a role playing game player, but is not enough to define role playing games as a distinct genre. how role playing games evolved from tabletop war-gaming has been described. how paper based games, such as dungeons and dragons, might be considered a fusion of tabletop war-gaming and the fantasy books of jrr tolkein has been described. the first role playing computer games have been described suggesting that they were firmly rooted in the paper-based games. a number of more recent computer games that are commonly considered to belong to a role playing computer game genre have been analysed after looking at the history of role playing games in order to generate a list of role playing mechanisms that are commonly found in computer role playing games. drawing on the history of role playing games and the analysis of game play mechanisms found in computer role playing games it is possible to posit a definition of the computer role playing game genre: `in computer role playing games players control one or more characters that gain `experience' through the completion of game objectives. the `experience' is manifested as player moderated changes in player character attributes `strength', `intelligence' and `luck' for example ; which allow the player character to evolve over the duration of the game. additional player character customization is facilitated through modification of character differentia such as race and class when initiating a player character ready for play and by game-play educed character modification during play, such as development and improvement of a skill by repeated use of that skill, or the spending of `skill points' gained when levelling up. the player character descriptors attributes, differentia and game-play educed modifications ; affect the ingame interactions between the player character, non-player characters and items in the game environment. the environment, objects, characters and interactions are effected in a virtual environment.' having arrived at a definition of computer role playing games this paper will next discuss technology that could facilitate the creation of an ambient game, prior to combining the role playing definition and technology to create a definition of ambient games.

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The player or players a player is an individual or players are a group of individuals who are put in a position of assuming a role or of making decisions within a game context. an educational game cannot work without at least one player griffiths, 2002 ; or several players gosen et wabush, 1999 ; . an individual can play against him- or herself in which case we would speak of a competition against oneself where the purpose is, for instance, to play the perfect match, or to improve on one's score from one match to the next ; , or one can play with others which would lend the game a cooperative character ; or one can play against others or against the computer which would lend the game a competitive character ; . although the number of players may vary from one to infinity, there is usually either a prescribed number of players or a variable number of players permitted within a given range. several studies also describe the characteristics of players and teams and the impact of these on learning. conflict cooperation conflict is represented in games by dynamic, human- or computer-controlled obstacles which prevent a player or players from easily reaching his her or ; their goal. obstacles must be active, even "intelligent", to create conflict and may, minimally, provide the illusion of reacting to player action kasvi, on 2000 ; . conflict also includes the notions of struggle, competition and challenge which motivate the players to maintain their gaming role and make decisions. struggle is often used as a synonym for conflict and is defined in the same sense. in games such as chess, monopoly, and bridge, a struggle or competition exists between players or teams. competition is present as much in single-player games which require that a player improve his or her performance from match to match ; as in team games which require that one team wins the game ; . in single player games, conflict takes the form of a confrontation between the player and luck for example, solitare, crap games, and roulette ; or between oneself and another player, who may be a computer using a decision algorithm. finally, a challenge occurs when player action provokes an opponent's reaction, thus creating a competition or a struggle kirriemur et mcfarlane, 2004 ; . cooperation emerges when players ally themselves against other players in order to reach a common goal. group tasks are always present and required in team games gray et al, 1998 ; which are governed by rules. in team games, levels of cooperation and competition vary and must therefore be moderated by rules to make sure that all team members master the contents. for example, in the earth ball game, players are challenged by certain obstacles or difficulties which can only be overcome by the pooling of player resources. rules rules comprise another essential attribute of games jenkins, 2005 ; . rules are a set of guidelines, being either simple or complex, which describe the relationships existing between players and the game environment. these guidelines specify the extent and the nature of allowable player action and they establish the sequence and the structure according to which participant actions may take place gray et al., 1998 ; . rules perform three types of functions thiagarajan et stolovitch, 1980 ; . procedural rules describe the game components, that is, the number of players or the number of teams, the role of each of the participants, their activities and the move or moves that can be made. game-over rules govern how the game is won and specify the results as well as the contributions expected from each player thiagarajan, 1998 ; . control rules describe the consequences for players who do not follow the previous rules martin et al, 1998 ; . for example, a player who makes false accusations is excluded from a detective game. brougere 1999 ; states that rules are either the result of an external regulation which is accepted by players or the result of an agreement or a negotiated settlement between players which the game seeks to promote. in any case, rules must be clear, organized, complete, pre-set and accepted by all players before starting a game. without such pre-set rules recognized by all players, a game becomes a playful activity where one or several players are free to create their own rules or modify them according to their whims and or game progress de grandmont, 2004 ; . however, in a growing number of electronic games, players are called upon to deduce the rules through play, thus adjusting their decision-making as their understanding of the stakes involved in the game increases and rules for craps. Finding a good lot takes a lot prior to leaving okinawa art had written to the winchester factory in new haven requesting a model 52e barreled action be selected, billed and shipped to him at the shennandoah gun shop in virginia. winchester was pleased to do so and art received a very gracious letter from a mr. henshaw who handled the transaction. in the letter henshaw enclosed the actual test target which was usually kept in the company files. five ten shot groups were fired at 100 yards, from a machine rest and art's rifle grouped an average of .58 inch. very much interested in obtaining any amount of the same ammunition that shot such tight groups, art was surprised to find that the winchester rifles were tested with eley tenex and not a winchester western product, and therein lies a story. at the time of the incident, 1972, art had been away from active competitive shooting for some years. however, he always did his best to keep abreast of what was happening in the game and his friends were delighted to help him. through his correspondence he knew that eley tenex was considered to be the highest regarded, 22 caliber rimfire match ammunition. in the united states, arizona's george stidworthy, 'the 1600 king', so named because he had shot more perfect aggregate scores prone with any sights than any other person, was the importer of eley. as a service to knowledgeable shooters stidworthy, upon request, would ship them 100 or 200 round samples of various lots of ammunition that he had received from eley so that they might test it and make a selection. in order to get the ammunition to the customer in the shortest time and the safest way it was shipped via greyhound bus. after being advised of the time and date of arrival all one had to do was show up at the designated bus depot to collect the ammunition. the shooter's part in the arrangement was to test the ammunition as quickly as possible and then notify stidworthy as to the outcome. then, as now, there were seldom more than six cases of 5, 000 cartridges in a lot. when stidworthy received a shipment of ammunition from england it was in what ever number of cases ordered, with no regard for the number of lots. he would hold at least one case of the lots sent pending a call of acceptance or rejection. dave carlson, art's old friend, supervised winchester's custom shop in the early 1970s and he contacted stidworthy with a request for sample lots. the result was that winchester purchased every box of a particular lot to be used exclusively in testing their model 52 target rifles. all went well until word of this purchase of test ammunition drifted up to the rarefied atmosphere of the olin corporation board room. mr. olin, the chief executive officer of the company that controlled winchester-western, was dumbfounded when he learned that his rifles were being tested with british ammunition obtained in arizona. it seemed a great insult to the world famous munitions manufacturer that they themselves could not supply a quality ammunition for their own rifles. after the board members peeled him off of the ceiling, he promptly initiated an ammunition and craps tips.

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