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Page displaying the cutting-edge computer-enhanced panorama technique utilized by authors robert mark and evelyn billo. you will definitely want to include this issue in your personal library. the volume, edited and designed by steven freers, is the largest yet of the aira series, running 282 pages including the front section. the 18 selected papers demonstrate outstanding scholarship and provide an excellent range in topics. the following is a list of paper titles and authors: the vision quest in the coso range, by david s. whitley, joseph m. simon, and ronald i. dorn the archaeology and petroglyphs of the coso rock art landmark, by amy j. gilreath!
Cecil county has approximately 222, 000 acres, with 84, 000 in tillable farmland. this figure does not take into account specialty businesses such as christmas tree farms, nursery businesses, and the local horse industry. the county remains largely rural with a strong agricultural presence, although the number of farms has declined in recent years down from 501 in 1987 to 464 in 1997 ; . much of the agricultural land is devoted to cash grain crops and dairy farming. principal crops are corn, soybeans, and wheat; secondary crops include hay, barley, tree fruits, vegetables, and berries. the county is well adapted for raising horses and has several large thoroughbred farms and many smaller farms producing horses for racing and pleasure. the county has two distinct geographical regions: the southeastern portion of the county lies in the atlantic coastal plain, with a flat and gently rolling topography. the northwest lies in the edge of the piedmont plateau, with rolling land and even some rocky bluffs along the susquehanna river.
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The vesa display power management signaling dpms ; standard is supported, enabling standby, suspend, and off power saving modes. this includes the ability to independently stop hsync or vsync and hold them at a static level. additionally the ramdac may be powered-down and the clock frequencies lowered for further power savings. color key and video overlay are supported for optional multimedia applications.
Jokers, stars and stripes to name but a few there are probably tons more ; . the boards are pretty much identical apart from the feature names the colours and some have slightly different shaped boards. basics these machines are evil when they have paid a lot, they are hard to pick and getting the jackpot can be like getting blood out of a stone. the trail goes to 8 with a bonus at 4 which does go in to skill mode a small logo flashes and good old cancel slows it down. after 8 you are on the cash trail which you have to gamble as far as the exchange available to exchange but sometimes you won't have to gamble at all. also by the trail a 5 footballers which light up with every hold of the feature, if you get all 5 you will get the barcode. the machine doesn't have to let you up after 2 or 3 holds. bonus boost- can go very high when paying, 5 is about the top end is you aren't getting up off boost walk away dapple- basically stoppa don't expect to get up but can go to 4 above & below- usually crap gives all numbers in view above and below the win line rarely gets to the feature skill stop- quite fast skill stop but can go very high on the trail almost the top if it wants to pay. step up down-basically you either go up or down until you reach the cash trail or have a cash win on the line, this is quite good number run ; re-spin- if you get no numbers you get the bonus again if you get numbers then tough luck add again-given very rarely usually when the machine isn't playing if you are getting it consider doing a runner once you reach the c ash trail the machine shows you how far you have to gamble to get on the board. however there is a button which can light up and is and aid it gives either exchange boost boosts the exchange down to the level you are on ; , nice number which usually gives a better number you can be given more than 1 ; , no lose you can be given more than 1, go against the odds ; & trail stoppa which gives you a shot on the trail above the level you are at. this aid only tends to appear when the machine is in a sporting mood. the feature on the feature you go around the board and have two pots to add to cash & features, however you can only collect when you are on the cash or feature squares so it can tease you by filling them and not letting you have them. there is a matrix in the middle of the screen and the idea is to fill lines to get streaks. if you get a line s ; of mixed blue and red footballs you get 1 for each line. if you get a line of blue footballs you get a win streak of about 5 and a line of reds is usually a streak of 15 but not always. there is another bonus which gives 4 aids 1. substitute which is part protection but only for an injury 2. repeat chance which is either a repeat on what you collect or a feature start repeat nb if you collect about 3 and have repeat it can go to 15 repeats easily 3. middle magic which gives the middle ball on the centre matrix 4. bonus stopper quite a straight forward skill stop, see if you can get a blue or red streak or get bonus add or extra player red or blue depends what you need ; the cash trail goes 1, 2, 3, the features skill cash- on lcd either 1 or 2 money belt- wins of 2-4 can be expected collect esp. if you have repeat step a win- steps down nearest win usually 3 or below spin a win- often gives 3 but can be less has given blue sevens pick a win- tells you how many goes you have on the lcd and flashes amount and las vegas craps.Yes, a virus. viruses can get people sick. you see richard as sick. a thought virus is what lead him to be hospitalized here. dr. william fink: thoughts aren't really a virus. howard campbell: why not? dr. william fink: viruses have dna. howard campbell: and? dr. william fink: no dna, no virus. you can say it is like a virus, but you can't say it is a virus without showing me the dna. howard campbell: i can show you the dna. thoughts have dna. dr. william fink: don't give me some crap about memes and memetics being the dna of a thought. howard campbell: okay. dr. william fink: you are telling me you can show me the dna of a thought. the type of dna i can see under a microscope? howard campbell: yes. [pause] dr. william fink: well? [silence] are you going to share this with me? [pause] howard campbell: you're looking at it. [pause] i thought dna. [pause] thoughts can not exist where there is no dna. [pause] dr. william fink: humans are the host for thought viruses? howard campbell: not just humans. i can teach a bird to speak. 88.
The value of the film industry to the uk culturally and economically was recognised by the government when it reviewed the film tax relief in 2006. this led to the replacement of the previous tax incentives for film section 42 and section 48 ; that used a sale and leaseback mechanism, which had come to be used by some individuals as a mechanism for tax avoidance. the new tax incentive is based on an enhanced deduction from taxable income for film production companies that can be converted into a payable tax credit. for uk films with production budgets up to 20 million, the value of the tax relief increases to a maximum of 20% of production costs where 80% or more of the budget is spent in the uk. for films with production budgets of 20 million or more, the maximum value of the tax credit is 16%. to qualify for the tax credit, at least 25% of qualifying expenditure must be spent in the uk. in addition, films must pass a `cultural test' administered by the department for culture, media and sport dcms ; , which considers the nature of the film's story, setting, characters and contribution to cultural diversity see section 3.2 for more details ; . the new film tax relief came into force on 1 january 2007. this chapter considers the importance of the tax credit to the sustainability of the core uk film industry and to achieving the economic and cultural benefits set out in this report. key points the film tax credit is vital to sustaining the competitiveness of the core uk film industry. with that tax incentive in place, we expect the uk to attract 800 million a year of inward investment productions by 2010, supporting a continuation of the long-term trend expansion of the core uk film industry and its contribution to uk plc. the film tax credit is important in putting the uk film industry on a level playing field with its competitors, enabling it to generate the economic and cultural benefits highlighted in this report. without the film tax credit, we estimate that the core uk film industry would be around 75% smaller, at a cost of around 1.3 billion of lost gdp a year and about 350 million lower exchequer revenues. that compares with an estimated cost of the new film tax credit of around 120 million a year and craps on line. The first in a series of briefing papers providing an overview of key canadian environmental issues, intended to provide background information on the issue and serve as a starting point for discussion on strategic approaches and collaboration on environmental grantmaking. cegn would like to acknowledge the generous support of the george cedric metcalf charitable foundation and the richard ivey foundation in the development of this publication. Four games without scoring harris should get his turn and then we will see whether he as got it or not. he certainly deserves his chance, without everyone waiting for him to fail so they can say, 'told you so'. paul jones stevenage, herts right man for the job it seems everyone has gone quiet on dennis wise after the past two games. i can't believe people were actually suggesting he should be sacked. the funny thing is, some didn't actually have the guts to say it outright, they were busy singing his song on saturdays and 'he did take us to the cup final.' oh, i know, let's say ray wilkins should be sacked instead. what absolute mugs. you only had to see wisey's face when he came off the pitch after we beat sunderland. it meant everything to him, just as it does muscat, who is always first up the south stand to clap. a couple of wins and everyone shuts up. boring football this, crap football that. he is trying to rebuild after the mess mark mcghee left us in. the signing of scott dobie is the biggest since paul shaw and it's more important for the team confidence than fans. that's good management. dennis cannot play in an orthodox 4-4-2 because he patently hasn't got the legs anymore. he even admits this by consistently playing someone to do much of his donkey work alongside him. but it's because others aren't good enough that he is having to do the job. i'm sure he would love to take a back seat and let starvin' marvin take his place, but he don't want to risk losing out in a season that the division looks crap. have faith lions. john terry not that one ; eltham too many cooks i know managers can't pick and choose when players become available, but the signing of scott dobie has created a massive problem for dennis wise. we now have; scott dobie, barry hayles, danny dichio, jo tessem, neil harris, ben may, john sutton, kevin braniff, bob peeters, joe healy, mark mccammon and paul ifill competing for the strikers places. tessem will presumably go back to southampton in january, but he wants to sign so depending on who wise can offload he may yet sign as well. the youngsters; may, sutton who is away for the season anyway ; , braniff and healy will put up with not playing, and if any are still here next summer they might get another chance. mark mccammon has already said that he won't and has slapped in a transfer request. it's a shame really because he's got a lot of spirit but he doesn't look good enough at this level. and if he is, his injury record isn't impressive enough to rely on him. peeters is injured long term and with a hundred year contract and no-one wanting him and winning craps. 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Constantly. before he retired he never had a chance to really come back after his last bout was with [giulio] rinaldi no, with [rocky] marciano. he was way over the hill at that point anyhow, but he wasn't too active after he beat rinaldi. i've got the gloves, here at the house, that he beat rinaldi with. rinaldi had him down and almost out. on the count of eight he came around and he saw rita, his daughter, standing there with some red pajamas on, and she said to him, "daddy, get up. it's time to go to work." he said he got up and looked at this cat and cleaned him right away. he was a fantastic guy. he always liked jazz, always loved jazz. he was the one who told me, years ago he said, "clark, you got to learn how to blow your own horn." he instigated muhammad ali into speaking up for himself, when he was cassius clay. so he used to say to me he said, "clark, you got to blow your own horn. ain't nobody going to blow it for you." i'm not speaking of the instrument, but i mean you have to publicize your own indulgence. so we started a little publishing company, many years ago, me and archie. he started it and put down the name. we had pictures made and logos on the stationery. he was he always liked the bass. he could never really play it, but he liked the bass, and we had this i've got some of the stationery around here somewhere. it's kind of funny looking back at it. brower: were you acquainted with other boxers? i know sugar ray robinson was supposed to be a big jazz fan. terry: yeah, he was a real big jazz fan, but i never really knew him too well. miles he and miles were good friends, so we used to boast about miles was going to be trained by sugar ray, and archie was going to train me, and we were going to box at the gardens one day on one of the bills. miles was a good boxer too, but i was a little bit too big for miles back then. i was punching pretty good in them days. i probably would have tore him in half with one of my right hooks. brower: somebody who strikes me as this is really a digression but in meeting benny carter benny carter has fists like sledgehammers. terry: benny carter? brower: benny carter, the saxophone player. he's strong. terry: oh yeah. benny came up he was born in new york. he was raised in hell's kitchen, and he didn't take any crap from anybody at anytime. i'll tell you a story about benny. when they played his band played the club plantation, which was run by the notorious gangdom people in those days, he played the club, and he had a singer with him named she had a hit record, "i'm walking by the river, because i'm meeting someone there." i cannot i'll think of the name of it. anyhow, somebody insulted this lady, the singer, and j. j. johnson, who was with the band, in benny's band at the time, took it up took up for her, and one of the guys 55 smithsonian jazz oral history program and craps download. T the confirmation hearings for our new chief justice, like all such hearings in recent years, were controlled by a ridiculous premise that almost nobody questions. the premise is that it is not possible for a judge to state his views on a legal question in the hearings and then have an open mind when that same legal question comes before him in a trial after he's been confirmed. it amounts to saying that it's impossible to publicly take a position and subsequently change one's mind. this proposition strikes me as being an obvious absurdity, but, since everybody seems to be going along with it, perhaps it will be a public service to point out some of the valid reasons that exist for changing one's mind, whether or not the workings of said mind are a matter of public record. sometimes we change our minds simply because we reconsider the information we based our first conclusion on. a good example of this would be a math problem involving lots of computations. we might get one answer, then review our calculations and find we've made a mistake. we correct our mistake and get a new answer. we've changed our minds without new information. why couldn't a judge do that? sometimes we change our minds because we become aware of new facts. consider the example of the state governor who was pro capital punishment until dna testing showed that several of the inmates on his death row couldn't have committed the crimes they were there for. he changed his position based on new information. why couldn't a judge do that? sometimes we change our minds because we hear new arguments. imagine someone being against gay marriage because he doesn't agree with the 14th amendment's equal protection argument that's frequently made in favor of it. but then he hears a first amendment argument saying that laws against gay marriage violate the establishment clause by preferring the practices of religions that won't marry gay people to the practices of religions that do. he might say, "i still don't buy the 14th amendment argument for gay marriage, but i'm convinced that this new first amendment argument is valid." why couldn't a judge do that? in sum, everybody who's not a lunatic changes positions on any number of issues all the time, and changes them for very good and quite sufficient reasons. judge roberts, the subject of the recent confirmation hearings, said that a litigant before him in a future case has a right to an open-minded judge. he didn't deny having opinions, so apparently having opinions doesn't keep a judge from being open-minded. evidently it's the stating of those opinions for the public record that supposedly closes a judge's mind. if that's the case, and if a litigant deserves an open-minded judge, doesn't if follow that one of the qualifications for a judgeship should be the prospective judge's renunciation of his own first amendment right of free speech? is this not the height of the ridiculous? open-mindedness in a judge is the same as open-mindedness in anyone else. it does not consist in being free of opinions. it does not consist of never having stated an opinion. it is instead a willingness to rethink your positions, plus a willingness to consider new information, plus a willingness to consider new arguments. open-mindedness is an act of will, not the absence of a paper trail. judge roberts kept pointing out that other candidates for judgeships had taken the same anti-candor position with the senate that he was taking. one wonders how the senators react to their children when they say, "all the other kids are doing it." lots of senators are lawyers, or were trained as lawyers. they're supposed to be smart. yet they buy or pretend to buy this absurd anti-candor argument and then spend all their time dancing around the margins of the real issues they're supposed to be addressing. instead of saying, "the openmindedness crap won't wash, " they're essentially saying, "you're right, but couldn't you at least show us a little leg?" what's more frightening? a ; the senators really are that dumb. b ; they don't mind looking that dumb? [thorn welcomes comments, suggestions for future columns, and tips on local skulduggery that ought to be exposed. write to box 85571, tucson, az 85754. e-mail: doid3 aol .]. And when i show the things i've worked on hard, and tried with -- nothing cheap, working toward the absolute top, the most hopelessly difficult -- i get the blank bored looks so i know that when i produce anything for anyone else, if i want to be well thought of and get the pat on the head, i better write stuff for the audience. since i have no idea what the audience is, or wants, i churn out crap for the magazine. i don't think anyone and craps felt. Is the life principle of m ori mana405 . manuka henare notes the following whakatauk as an indication of the essential part played by te reo. ko te p take o te m oritanga ko te reo m ori, he taonga tuku iho na ng t puna the root of m ori culture is in the language, a gift from our ancestors. 406 equally the place of voice and discussion is well known by m ori and is also expressed in whakatauk such as; ko te kai a te rangatira, he k rero, oratory is the food of leaders. the power of te reo is seen in its many possibilities, including the potential to inflict pain; he w ero o te tao e taea te karo, te k e kore e taea, the flight of the spear can be parried, w hat is said cannot. the waitangi tribunal report regarding te reo m ori wai 11 ; highlights both the role of colonisation in the denial of te reo m ori and also the critical need to ensure active moves for its revitalisation. early in the report the tribunal refer to a whakatauk presented to them; ka ngaro te reo, ka ngaro t ua, pr i te ngaro o te moa if the language is lost, we will be lost as dead as the moa407 amongst other conclusions, the tribunal found that the education system was operating unsuccessfully for m ori; that te reo m ori w as not adequately protected and that the treaty of waitangi asserted a fundamental right of m ori to education and all other human rights, this includes the need to ensure te reo m ori its rightful place.408 the struggle for te reo m ori is a necessary part of our survival as m ori people. this must also be said for the need to ensure the relationship between te reo m ori and knowledge. tuakana nepe asserted that kaupapa m ori knowledge and te reo m ori are intrinsically bound. hence in order to maintain m ori knowledge there must be a reproduction of that knowledge through te reo m ori. in her thesis on kura kaupapa m ori and the philosophy of te aho matua, tuakana wrote; kaupapa maori is the "conceptualisation of maori knowledge" that has been developed through oral tradition. it is the process by which m ori mind receives, internalises, differentiates, and formulates ideas and knowledge exclusively through te reo maori. kaupapa maori is esoteric and tuturu maori. it is knowledge that validates a maori w orld vie w and is not only maori o wned but also maori controlled. this is done successfully through te reo maori, the only language that can access, conceptualise.
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