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Flopped into a chair and gazed at the television for some time wondering how odd it was that he was her brother yet he felt nothing for her in that direction. he glanced at her and noticed that her whole attention was focused on the screen, apparently oblivious of him. he almost giggled at the ludicrousness of their brother-sister relationship. bored by the movie and irritated by her silence, he got up and started for the stairs. what he needed was a cold shower and his bed. `you wouldn't want to leave me here all by myself, would you?' toun whimpered. if he hadn't seen her lips move he would have sworn the sound had come from the television. he smiled indifferently. so his little stepsister could talk, after all. `i could use a shower and some sleep. why don't you just enjoy the movie? i thought you were doing that before i came in?' `this happens to be the fourth movie i've seen today. i want to do something different - maybe play a game. what about scrabble?' `i told you i want to sleep, toun. one can't play scrabble asleep!' `come on, babs, just a few minutes.' `only if you insist.' `well, i do.' `all right, all right, but not until i've had a cold shower. i'll be down in a few minutes.' `you won't have to come down, ' toun offered. `i'll bring it up to your room.' babs hesitated momentarily then, finding no adequate reason to protest, agreed. `but give me enough time to shower, okay?' ten minutes later, he stepped out of his bathroom to be met by the cold breeze of the air-conditioner and the unmistakable smell of marijuana. toun was sitting arabian-style on the thick carpet on the bedroom floor, arranging the scrabble pieces and pulling leisurely at!
This function of pornography as a reservoir of available moments, moves and lines can be thought of through the notion of scripting. feminist studies of romance have pointed out the degree to which expressions of romantic feeling concern culturally available scripts of settings and situations, articulations of love, tenderness or passion, such as those drawn from media representations and negotiated in practices of courtship. one "writes oneself into love" by incorporating personal moments, events, emotions and experiences into such scripts -- like with romantic walks in the moonlight or passionate romantic-sexual encounters that cross the boundaries of "representation" and "lived experience".8.
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Curt mack, nez perce tribe wolf biologist, presentation to wolf advisory committee, january 2004. see mech and peterson 2003 ; , table 55 p.144 ; , "wolf kill rates during winter." page 57. 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They saw games companies going bust and formats disappearing, and this environment made big ip owners very nervous. they liked a nice steady progression, not the roller coaster. under the old model, games followed movies you see this everywhere. these companies, disney included, come under an "orchestra model". the ip controller is the conductor who gets his whole orchestra together, and they have to make beautiful music with each of the parts playing together. ip holders have to protect and control the brand, and spread the risks across lots of players. what is happening now is what i call "merging strategy", or "cool dollars". this is essentially confidence in the games industry which is now maturing the knowledge that games can build brands and can give long term shareholder value the healthy ea share price illustrates this ; . we are still learning about how tv and games can crossover. it is apparent that there has to be a perfect storyline - for example, desperate housewives could be a sims addon or a sims alternative. or the tv programme has to be a very big phenomenon that everyone can buy into and wants to live. we made four gba games in the us using disney channel brands which did not make it into europe ; and in december we sold 1.25 million gbas to girls aged 7-10. this interest has been completely led by the awareness of the tv programmes, which were broadcast after school. in the long-term though, perhaps in 5-10 years, i think that the orchestra model is going to eventually die. i think that it is important that entertainment companies should have stand-alone games businesses you can't get a proper perspective on the games market as part of a consumer product licensing division. you need to track the talent, take control of an ip and make it really big. the games industry has a completely different way of working than the large entertainment companies do. i don't think we should be too precious trying to shoehorn ips that just don't work as games - and likewise, if there's a game ip that is absolutely fantastic, it won't necessarily fit across all the other platforms. a company that owns a lot of ip needs a clear direction. it needs a michael eisner who will tell the whole company to get behind a particular new ip. the company culture then lets this process work its magic - but this can't happen unless there is a culture of access. we are very privileged in that we can gain access to content from other divisions e.g. film rushes etc. ; . finally, it's all about great content. in gaming it has to be delivered in the right way. start early, be open, be visual, and be flexible.
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Is, aside from untreated syphilis which, again, is not absent from the holy shakespeare's plays. ; the same claim, however, clearly cannot be made with regard to our world's monasteries and their guru-figures. for they, indeed, have surely contributed to more than one sincere seeker's literal and clinical depression and madness, via psychological binds, alleged spiritually incestuous sexual abuse, crippling negativity and more. all "in the name of god, " and for the purported "benefit of all sentient beings." * what, though--no widespread, hot `n' heavy sex in the srf ashrams? do the monks not sneak out over the mother center walls down to sunset boulevard on sultry summer nights, their monthly allowance in hand? do voluptuous young nuns not pair off with each other's holy genitals for much-needed, slap-happy release? is it really all service, meditation, and sleeping with one's dry monastic hands outside the pure white sheets? well, the allegation has actually been made in russell, 2001 ; that yogananda may have been "screwing everything in sight" when alive. my own reaction to that is probably the reflex of the majority of already disillusioned ex-disciples of their respective "perfect masters." that is, half of me cannot take the allegation seriously, given the many testimonials to his integrity from his disciples. testimony, that is, such as from one of srf's most respected monastic brothers, who "speaks joyfully of his guru's overwhelming love, humility and gentleness, his deep respect for others and his boundless desire to serve" in watanabe, 1998 ; . of course, the brother in question, having entered the ashrams nearly a quarter century after yogananda's passing, never actually met the "avatar." that is, he is simply parroting the party line, speaking what he would imagine to be true. but that is par for the course in spirituality. regardless, the other half of me would actually like for every alleged indiscretion on the part of "the bastard and the bard" to be true, for the whole mess to have been pure baloney from the beginning. as a bottom line, then, srf in its current state can take a former ; disciple such as myself, who would never have dreamed of being disloyal to the guru or his organization, and turn him into someone who would like for the worst accusations against them to and jackpot casino.
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Palm hired igor to name a breakthrough new top-secret product, the flagship of an entirely new fourth category of products for the company. this was to be an ultraportable mobile computing platform running linux with special hooks built in to work seamlessly with the palm os, the treo family of smartphones, and smartphones made by other manufacturers. crucial to the naming process was palm's mandate that the name convey the concepts of "portability" and "book" without saying "notebook" ; , and have a close connection to the treo. igor delivered, and on may 30, 2007, palm publicly announced the foleo: the foleo mobile companion has a large screen and full-size keyboard with which to view and edit email and office documents residing on a smartphone. edits made on foleo automatically are reflected on its paired smartphone and vice versa. foleo and its paired smartphone stay synchronized throughout the day or at the touch of a button. this powerful combination is for productivityminded business people who want a more complete mobile solution for email, attachments and access to the web.
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