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As in any other socialist regime of eastern europe and the soviet bloc, cities in albania were regarded as the focal point for the realisation of the aspired modernisation of the economy and the development of a classless society. to create a classless society, it was important to shape the physical space in a new way. the main strategy was industrialisation and urbanisation. tirana was perceived as the leading city in the modernisation of albania. albania had a close relationship with the soviet union, who was helping them to establish the heavy industry etc. the urban planning of the 1950s was also highly inspired by soviet socialist urban planning and craps system. Closed last month: aladdin: society of seven show closed. + bellagio: andy warhol: celebrity portraits exhibit closed. + blackjack: new math has come out for casinos that pay 6 5 instead of 3 2 for blackjacks. the house advantage is 1.45% instead of 0.16%. that's more than nine times the advantage the casinos have on a normal single deck game. stay away from casinos that only pay 6 5 for blackjacks. you cannot win! in a scathing article by bobby bryde, widely distributed, casinos that pay only 6 5 are being called unprofessional, gutless, deceiving and misleading. there is even a report that the rio is dealing a 1: single deck blackjack game outside their new bikinis nightclub. stay away from all these unbeatable blackjack games and the casinos that are dealing them. + castaways: monty rock iii tribute show closed. + craps: boxmen no longer sitting at crap tables at bally's, flamingo, las vegas hilton, mgm grand, paris las vegas and probably other casinos. + glass pool motel: closed. on las vegas blvd. across from mandalay bay but further south. that's the motel that had a swimming pool with access to underwater photography. many models, many photographers. + j.w. marriot hotel rampart casino ; : oxo restaurant closed. plush nightclub opening next month. + orleans: xtreme close-up magic show closed in brendan's irish pub. 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Way to breach sarastro's temple. she is furious! she knows that her own daughter, pamina, and the one who was to rescue her, tamino, both accept and embrace sarastro's philosophy of life. they know that he is the "good guy" and that she is evil, so she unleashes her anger. a. ask students to imagine and describe how they think this aria will sound. encourage them to use musical terms such as piano and forte, high or low, fast or slow tempo. "extreme orchestra" terms ; b. remind students to pay attention to their thoughts about the music as they listen. c. ask for feedback. did she sound furious as the story says she feels? how do you know? what thoughts do you have about this high soprano voice? 2. ask them if they know the language the queen of the night is using. german ; provide a translation of the text. have different students read lines of the text. encourage reading with strong voices following the emotion they heard in the aria. my heart is seething with hellish vengeance, death and despair are blazing around me! unless sarastro feels the pangs of death at your hands you are no longer my daughter. forever disowned, forever abandoned, forever destroyed all my ties of nature be, unless sarastro dies at your hands! hear, gods of vengeance, hear a mother's vow! 3. define unknown words together, and help students construct the meaning of the text in their own words. listen again, then ask if the music and text seem to fit. 4. download the aria from the website listed in the resources section. help students follow the notation as the music plays and how to win at craps. 3. install the second 10 ohm resistor at r22. solder the grounded end only to hold r22 in place. the opposite end will be soldered directly to the base lead of q3 as part of the pa transistor installation sequence later on. ! ! 4. find a 100 ohm resistor brown-black-brown ; . install at r16 and solder. ! ! 5. find two 2 ; 150 ohm resistors brown-green-black ; . install one at r9 and solder. ! ! 6. install the second 150 ohm resistor at r12 and solder. ! ! 7. find a 220 ohm resistor red-red-brown ; . install at r18 and solder. ! ! 8. find a 470 ohm resistor yellow-violet-brown ; . solder. install at r8 and and download craps. Int. warner bros. commissary - day various warner brothers stars lunch casually with timewarner cartoon celebrities of their choice. at the first table, porky pig is eating with speedy gonzalez, wearing their police uniforms from earlier. porky pointing ; you gonna finish that? speedy yes, stop asking! we pan with sam sheepdog and ralph wolf, lugging their lunch pails. shaggy o.s. ; i trusted you, man. a traditionally animated shaggy and scooby doo are talking to matthew lillard, playing himself. shaggy cont'd ; and you, like, made me sound like a, like, total space cadet. matthew lillard i'm sorry you feel that way. i tried to be true to your character. shaggy leans over the booth aggressively. shaggy if you, like, goof on me in the sequel, i'm coming after you! scooby gets into matthew lillard's face, growling very, very realistically. matthew does a scared shaggy take. bugs and kate are at the third table. at the table behind them, the poor schlub from "one froggy evening" is happily eating what appear to be frog's legs. kate some areas of the script i think we need to address: there's no heart, no one's cooperating, nobody learns anything. continued and craps tip.

Math sats. and prob. v-i, 547-561. - p.ressel 1985 ; . definetti type theorems: analytical approach. annals probability, 13, 898900. - p.ressel 1987 ; . a very general de finetti type theorem. in: viertl 1987 ; . - p.ressel 1988 ; . integral representations for distributions of symmetric processes. probability theory and related fields, 79, 451467. - r.j.richards 1989 ; . darwin and the emergence of evolutionary theories of mind and behavior. university of chicago press. - c.j.van rijsbergen 2004 ; . the geometry of information retrieval. cambridge university press. - b.d.ripley 1987 ; . stochastic simulation. ny: wiley. - j.rissanen 1978 ; . modeling by shortest data description. automatica, 14, 465471. - j.rissanen 1989 ; . stochastic complexity in statistical inquiry. ny: world scientific. - a.m.robert 2003 ; . nonstandard analysis. mineola: dover. - c.p.robert 1996 ; . mixture of distributions: inference and estimation. in gilks et al. 1996 ; . - r.robertson 2001 ; . one, two, three, continuity. c.s.peirce and the nature of the continuum. cybernetics & human knowing, 8, 7-24. - v.ronchi 1970 ; . nature of light: an historical survey. harvard univ. press. - h.rouanet, j.m.bernard, m.c.bert, b.lecoutre, m.p.lecoutre, b.le roux 1998 ; . new ways in statistical methodology. from significance tests to bayesian inference. berne: peter lang. - d.j.rose 1972 ; sparse matrices and their applications. ny: springer. - d.j.rose, r.a.willoughby 1972 ; . sparse matrices. ny: plenum press. - l.rosenfeld 2005 ; . classical statistical mechanics. s~o paulo: cbpf - livraria da f a isica. - r.royall 1997 ; . statistical evidence: a likelihood paradigm. london: chapman & hall. - e bin 1915 ; . visuell wahrgenommene figuren. copenhagen: cyldenalske boghandel. - d.b bin 1978 ; . bayesian inference for causal effects: the role of randomization. the annals of statistics, 6, 34-58. - d bin, d.thayer 1982 ; . em algorithm for ml factor analysis. psychometrika, 47, 1, 69-76. - h bin 1987 ; . a weak system of axioms for "rational" behaviour and the non-separability of utility from prior. statistics and decisions, 5, 4758. - r.y binstein, d.p.kroese 2004 ; . the cross-entropy method: a unified approach to combinatorial optimization, monte-carlo simulation and machine learning. ny: springer. - c hla 1992 ; . the physics of chance: from blaise pascal to niels bohr. oxford university press. - s ssel 1988 ; . machine learning: the em algorithm. unpublished note. - s ssell 1998 ; . the em algorithm. on line doc, univ. of california at berkeley. - ruta v. breckenridge-remy co., usa, 1982. - a.i.sabra 1981 ; . theories of light: from descartes to newton. cambridge university press. - r.k.sacks, h.wu 1977 ; . genearl relativity for mathematicians. ny: springer. - l.sadun 2001 ; . applied linear algebra: the decoupling principle. ny: prentice hall. - sakamoto, y. ishiguro, m. kitagawa, g. 1986 ; . akaike information criterion statistics. dordrecht: reidel - kluwer. Selling, buying, or refinancing a home? one stop shopping. i can save you time and money! members and family receive a free credit report and 0 towards your appraisal fee at close of escrow and craps layout. You are betting for the shooter to roll an immediate natural, seven or eleven , and against the shooter rolling an immediate crap number, two, three or twelve.

Player b is a "loose", "aggressive" type who plays about half of the hands they're dealt, betting heavily with most of those hands. when a tight player challenges them with a big raise, they delay and then "reluctantly fold" their crap hands ; . when they do happen to pick up a legitimate hand, they'll some zinging right back at you with an even bigger reraise, in an attempt to scare you away. these types of players are harder to read, as they don't play "normal", "solid" poker. on average, i'd say they have absolutely no hand over half the time and no chance of picking one up, either. the best way to get a read on these cats is to bet into them or re-raise them, forcing them to "prove themselves" and their hand strength. often times, they'll run once they're challenged twice it takes "guts" to do this, but against these types of players, unless you're willing to sit on the sidelines and await a good hand, and deal with the blinds, you'll be forced to engage them whenever you have a good "heads-up" hand ; . solid, normal players are fairly honest players most of the time ; , who play the hands they're dealt. solid, tricky players are somewhat less predictable, mixing up their play with an occasional bluff, steal and trap play. when playing against these players, you ask yourself "what kind of starting hand requirements does this type of player have in their position, given their stack size and situation?" for example, a solid player who makes a big raise in early position most likely has a big pocket pair, like qq, kk or aa with a bigger bet, possibly even jj ; . a solid player in late position who raises could hold group 1 through group 4 hands, or even more hands with 5 or fewer players at the table. when you're playing against an "honest" or weak ; player, they pretty much play their own hand strength most of the time. when they have a stronger hand, they bet a lot bigger. when they have a weak hand, they check or call. when they have no hand, they fold. you'll almost never see them bluff, since that's too risky. these players are riskaverse and they don't like taking too many chances. you'll generally know when you're beaten, because their bets usually directly represent their hand strength. the more experienced, solid players will also pay close attention to their "expected value", and tend to avoid pots where their pot odds aren't attractive. you'll be able to spot them folding whenever an opponent places a bet that reduces their odds enough to make it less profitable to remain in the hand. this is very useful, since you can readily manipulate the pot odds directly with your own bets. when playing against "dishonest" players, you must use different tactics to gain insight into their hand strength. in addition to observing their playing and betting patterns, you must bet into them. when you place a sizable bet three or more times the bb or the pot size or more ; , you'll generally find out where you stand this is called a "feeler bet", and is something you must master to hold your own against these players. often times, they'll back down when they have no hand. other times, they'll become very aggressive if they have any kind of hand at all ace-anything, low to medium pairs, flush or straight draws ; . these players love the action and taking risks. they get "lucky" more often, simply because they play lots of hands. over the long haul, these players often lose, since they are playing against the odds; however, the more experienced, superaggressive ones e.g., gus hanson comes to mind ; often do very well, since they pull page 14 and craps game download.
Lister. dave lister, technician third class. lowest rank on the ship, he spends all day doing the crap jobs, believing only reason the service robots scutters ; don't do his job is that they have a better union he is a slobby scouser, who needs a mallet to soften his socks before wearing them, he has little respect for authority and absolutely none for rimmer. he is addicted to curries and is a total beer monster definitely belongs in rafsta ; . his dream before the accident was to save up all his money and buy a farm on fiji, which due to a volcanic eruption was now mostly three feet under water he planned to take his pregnant cat frankenstein, get some sheep and cows and breed horses he fell in love with the navigation officer christine kochansky and spends a lot of his time trying to find ways to bring her back even though he has no idea how she feels about him as he didn't have the guts to ask her out whilst she was alive. christine was also part of his plan as she was supposed go with him to fiji and ride the horses lister likes to play practical jokes on rimmer, one of these was cooking him breakfast that included hallucinogenic fungus called titan mushroom, leading rimmer to have what he calls a voyage to trip out city he attended inspection parade wearing nothing but mock leather driv ing gloves and blue swimming goggles, then went on to attack two senior officers believing them to be giraffes that were armed and dangerous has requested sick leave due to diarrhoea on no less than five hundred captain hlollisters personal evaluation occasioris left his previous joh as a supermarket trolley attendant after ten years because he didn't want to get tied down to a career promotion prospects zero rimmer arnold rimmer - technician second class, now a holographic simulation he was tlic most unpopular person on the ship during a one veal- period put lister on report 243 times for such reasons as humming arid clicking in an annoying way arid so distracting a senior officer from doing his vital duty unblocking the chicken soup nozzle on the vending machine ; bitter and twisted he is unable to take any responsibility for the fact he never got where he wanted in life his ambition was become an officer arid blames every one else for his failures his parents because he never had the right snobby upbringing l ister because he u s hum while he was trying to revise for his exams and anyone arid everyone else for putting him down he is a total brown nose who was miffed because tlic captain refused to p u forward his proposal to reduce the minimum regulation hair length by an eighth ot' an inch rimmer is such a depressing individual that when he joined the samaritans the five people that phoned him all committed suicide and one of them was a wrong number! holly brought rimmer hack as apposed to anyone else because he thought he'd be the best person to keep i lister sane. captain hollisters personal evaluation t here's a saving amongst the officers if there's job worth doing do it well it a a jobs not worth doing give it to rimmer he aches for r e s but constantly fails the e n g exam. extoundingly zealous possibly mad, probably has more than brain cells promotion prospects - c o m.
Behind so much trace evidence. rape counselor vanessa you act as if you feel sorry for him. if you want to feel sorry for someone, try feeling sorry for the victim! come on olivia, i'll give you a ride home. olivia i can't go back there, anywhere but there. rape counselor vanessa you can stay with me for a few days, while you heal. i won't take no for an answer. int. interegation room - evening two detectives enter darren is handcuffed folder in his hand. evidence room in his the room with something in their hand. to a table. detective one 43 ; has a detective two 34 ; has a bag from the hand and download free craps. Bart enters the kitchen and starts coughing up sand, then gets a glass of milk and leaves to go to his room. marge: homer, this is mayonnaise. homer: oh right.today at work, lenny and carl and i were playing , "backwards day". marge: but that doesn't explain how you knew that there is bird.umm.droppings on your face. homer: there's bird crap on my face?! [crying hysterically] ohh.hohoho.[runs up stairs] the scene ends with homer running to his room and maggie doing the pacifier sound. bart is on his way up the stairs and is pushed out of the way and spills his milk on his face. marge walks in and sees him on the ground. marge: * gasp * bart! not you too! bart: chill out, mom.it's just milk. marge: i sorry, bart, it's just that your father scared me half to death with his bird.umm. bart: crap!? marge: yes, i don't want you saying that anymore. bart: mom, i think i speak for the both of us when i say, you are too classy of a woman to ever have that kind of language come out of your mouth. [smiles for brownie points] marge: aw. come here, my special little guy! marge and bart hug, and that music plays, and the scene ends. the next scene is in homer and marge's bedroom with homer's face shoved into his pillow crying. yes, his face has been cleaned, but he still feels embarrassed. marge: homie, are you feeling ok? homer: i don't want to talk about it. [continues to pout and cry].

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