Last few seasons, they constantly challenged for promotion, before finally going up at the expense of derby the year we blew it ; . last season, they were bottom of the table all season, yet after selling their best player mark draper, they are still top of this division. our record over the last few years has been similar to leicester's, the only difference being that millwall haven't reached the premiership yet. so if we get out of this crappy division this year, will we able to hang on to the likes of alex, ben, and kasey, or will the big clubs swoop like vultures, as has happened at bolton, with macateer and stubbs. i can't imagine someone like ben demanding a move, like stubbs has done, but it will still be hard for millwall to turn down any substantial offers. this might sound all doom and gloom, but is there any point in going up from this division, if we are just going to come straight back down again? i just hope the club have some sort of strategy worked out, so that when or if ; we up, we're capable of staying up. i can't believe i 've just written that. d scott catford, se6 dear tlr millwall's good start results wise at least ; , shouldn't disguise the fact that there are some serious flaws in the side, still to be ironed out, and the sooner, the better. in your interview with peter mead, he stated that malkin and fuchs would terrorise defences this year. not if they're getting the poor service from the wings like they are at present, they won't. dave savage seems to have lost all his confidence after looking so good against grimsby, and as for van bloke! we all know van bloke is a quality player when he wants to be, but he's done jack shit so far this season. mick and taff need to give him a good kick up the arse, or even drop him, his form since kennedy left, has been mediocre at best. savage seems to be the new boo-boy now that beckford has gone, but if the slaughtering continues much longer, maybe he'll never regain his form. if something doesn't happen soon with our wide players, then our new look attack will still be waiting to fire on all cylinders next may. pete stevens dulwich, se22 dear tlr why is it that we are top, yet it seems like we are bottom? all the hard work must have been done away from home because we have been terrible at the den so far. it seems like it's just a continuation of last season. where are the ideas? where is the invention? the defence looks solid and the attack we know is good you can't score as many goals as fuchs, malkin and dixon have elsewhere and be crap ; , but the midfield is dreadful. the two palace rejects look okay to be fair and of course alex is one of the best midfielders in the division, but savage and van blerk just haven't played and download craps.

Randolph: "fuck both of you jive ass mothafucks, i ain't goin' that route. i told both of you, it's my way or mothafuckin' goat alley! shit." gwen: "what are you people going on about? what?" randolph: "later, gwen, be cool, shit. naw, george, you gotta decide this shit right now. either you cut my deal or forget the whole goddamn thang, shit." george: "you're forgettin' somethin', randall, you still owe me fifty grand cash, and i ain't countin' this fifty grand crap in my pockets, unless i get it all for fifty-five cents on the dollar!" randolph, gwen and babs: "sixty!" george: "whatever, i'm offended by your lack of trust in me. why i'm your only link with the financial world, think it over. i'm the only game in town and the only commercial, high yield, low-interest, risk takin' bank around." randolph: "naw, i bet i could play a tape of our earlier conversation back, and i wouldn't owe you shit. i even bet ev'ry dime i've got here, i could make a call to your competition in the mornin' and cop a deal. no, even the very deal you wouldn't do, shit." randolph plays a hard hunch, that if he needs to, he can scare george with the listening device in the bedroom. george: "no, no, boy, i don't believe you'd do that. you're bluffin', and what tape you talkin' 'bout? are we bein' taped?" randolph: "yeah, honky." babs: "take the sixty, r n'r, you'd have it all. exchange it, and you'll get what you need to finance those crazy people out in the country! shit." randolph: "you shut the fat fuck up, babs. you and this greedy guy think too much alike to suit me, shit. so i'd like both of ya to git the fuck out! shit." babs: "you ain't fakin', r n'r? you mean that shit, huh, and after what i did? why all that shit's mine, man, every fuckin' dime of it. and i don't want no goddamn part of no imbecilic assholes who think they're livin' in the bible, shit. On top of that, we again have "genuine masters" allegedly building secret passageways leading to the dormitories of young girls in their care. caplan quotes frequently and respectfully from muktananda in her books, thus inadvertently providing a bad, bad example from him of how not to do the guru-disciple relationship properly. both of her relevant books were written well after the 1994 new yorker expos of him by lis harris. ; plus, we have the reported pedophilia ephebophilia of universally revered figures such as ramakrishna, as an early precursor to the allegations against sai baba. also, holy zen masters "beating the crap out of" their disciples, even to the point of death, and being celebrated for their macho, "ego-killing" abuse by foolish persons who themselves have obviously never been thus "beneficially" beaten. and all of that is ever done, of course, "in the name of god, for the compassionate benefit of all sentient beings, " by great bodhisattvas and otherwise. and woe unto any "disloyal" disciple who should even think otherwise, and thereby risk his "one chance at enlightenment" in this life. i myself again in no way anti-drug, anti-dildo, anti-whorehouse, anti-orgy or antileprechaun. it is simply obvious, by now, that any of those, when and build a craps table. Anthony contacted greg murdoch, the lawyer who is working on a class-action suit against the ontario government on behalf of problem gamblers who have lost money at casinos. mr. murdoch agreed to look at the wraggi information. marion sent the information package to him, however we have not heard back at this time.

Chapter ii between the discovery that the cosmopolitan stock brokerage company was ready to beat me by foul means if the killing handicap of a three-point margin and a point-and-a-half premium didn't do it, and hints that they didn't want my business anyhow, i soon made up my mind to go to new york, where i could trade in the office of some member of the new york stock exchange. i didn't want any boston branch, where the quotations had to be telegraphed. i wanted to be close to the original source. i came to new york at the age of 21, bringing with me all i had, twenty-five hundred dollars. i told you i had ten thousand dollars when i was twenty, and my margin on that sugar deal was over ten thousand. but i didn't always win. my plan of trading was sound enough and won oftener than it lost. if i had stuck to it i'd have been right perhaps as often as seven out of ten times. in fact, i always made money when i was sure i was right before i began. what beat me was not having brains enough to stick to my own game -- that is, to play the market only when i was satisfied that precedents favored my play. there is a time for all things, but i didn't know it. and that is precisely what beats so many men in wall street who are very far from being in the main sucker class. there is the plain fool, who does the wrong thing at all times everywhere, but there is the wall street fool, who thinks he must trade all the time. no man can always have adequate reasons for buying or selling stocks daily or sufficient knowledge to make his. play an intelligent play. i proved it. whenever i read the tape by the light of experience i made money, but when i made a plain fool play i had to lose. i was no exception, was i? there was the huge quotation board staring me in the face, and the ticker going on, and people trading and watching their tickets turn into cash or into waste paper. of course i let the craving for excitement get the better of my judgment. in a bucket shop where your margin is a shoestring you don't play for long pulls. you are wiped too easily and quickly. the desire for constant action irrespective of underlying conditions is responsible for many losses in wall street even among the professionals, who feel that they must take home some money every day, as though they were working for regular wages. i was only a kid, remember. i did not know then what i learned later, what made me fifteen years later, wait two long weeks and see a stock on which i was very bullish go up thirty points before i felt that it was safe to buy it. i was and how to win at craps. Buffalo bill" cody welcomes you to the spring conference. actually bruce richmond, broker auctioneer for cbs real estate in north platte, portrays the west's most colorful showman, army scout, and buffalo hunter, kicking off a two day ride into the wild, wild west of the electric energy industry. The term cap is used to describe the final raise in a round since betting is then capped and no one can make another raise and craps tip.

Parallel. the faster update process would analyze the changing parts and a more sophisticated and slower process would analyze all the information provided from our senses and correcting the spatial reference frame known from the first process. different senses provide either absolute or relative information which could be integrated into the frames of reference. vision is known to provide us with excellent measurements about our location and movements in space. distance to objects, their movement direction and relative speed can be easily extracted in hardly more than the blink of an eye. optic flow can give us the sense of self-motion, if the visual field of view is large enough. it can be used to navigate through an environment beall & loomis, 1997; riecke, 1998 ; . landmarks, in contrast to optic flow, are more reliable and do not lead to accumulation errors b lthoff, riecke, & veen, 2000 ; . spatialized u sound is worse than vision; front-back confusions and a poor spatial resolution produce an unreliable spatial location begault, 1994 ; . however, there is an auditory reference frame, which could help to focus our attention towards targets and localize them roughly in space. disturbances of this rather inaccurate reference frame, achieved by unnaturally changing sound sources, may nonetheless confuse our belief in one coherent or unique reference frame for all the senses. proprioception provides information about our body position. active and passive changes to body limbs are "known" to the system and contribute to motion perception mergner, siebold, schweigart, & becker, 1991; hlavacka, mergner, & bolha, 1996 ; . also, the force on different joints introduces knowledge about our position relative to external forces e.g. gravity ; . finally, the vestibular system is known to measure changes in velocity by means of linear and angular accelerations. we maintain a strong sense of gravitational direction, which is known with respect to our body axes mergner & rosemeier, 1998 ; . if the sensation of gravitational force is unpredictable or unstable, we have trouble in maintaining straight gait or posture. so far it is unknown if and how these different frames of reference are integrated to provide one unique and stable reference frame. one could ask 2 and build a craps table. 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Th e r revi ew the days of dvd are here. if you don't have a player, get with the rest of the world or move back to the arkansas woods. with digital video recorders, tv is on my time. and now that i have the 53-inch sony with surround sound, movies are on my time, too. with more than 77, 000 titles, how do you decide what to watch? if you're like me, you're tired of wasting two hours of your life watching crap that doesn't amount to much except a small chuckle. sure you could have turned it off after the first time you heard your inner voice say, "this is going nowhere." instead, like me, you keep watching in hopes that it will have some redeeming quality or inspire you; particularly after all the time you have already invested in it. before you know it, you've been robbed of your time and there is no way to replace it. my mission is clear. each week i will give you the best and the worst in dvd rentals. what to avoid, and what might change your life. i must still caution you that everyone is different and you may not like what i like. so read carefully as i will always explain why a movie works for me or doesn't. i'll also throw in a movie preview or two from time to time, but get used to this being mainly dvd rentals. action: unleashed. there is nothing more manly than a finely choreographed fight scene, even if the feats are impossible without wires. jet li finely gets to act americanstyle. he's no robert de niro, but once you immerse yourself in the story, his character is believable enough to make this movie work. though this isn't an oscar performance, morgan freeman doesn't disappoint, and bob hoskins gives an explosive performance. the only small tragedies of this film are the small instances of obvious foreshadowing. if heavy violence and strong language are a problem for you, i wouldn't see this one. if you're a heavy jet li fan, you've already seen it. romantic comedy: spanglish. adam sandler on the serious side. i didn't cry, i swear; it was hot, and i believe that was sweat. this is a fun movie. it was directed by academy award winner james l. brooks, who also directed as good as it gets. a definite eye-opener for couples living a day-byday life; we all need an insight into what is important in our lives. a great cast, and it gives a slap in the face to couples who need it. this is a well put together movie with a great supporting roles. if you're not into love stories, leave this one on the shelf. football is your life, you should see it. otherwise, use the time you would have spent watching it on all those things you've been putting off around the house. animated: the incredibles. there are some movies that work for everyone. in this movie, animation gives way to make a movie that is as fun to watch as a child as it is get the underlying jokes that only an adult can understand or relate to. this is one to buy so you can watch it a few times and see things you missed the first time. the voiceover talent is supported by a fun story that will make you laugh and keep you engaged until the end where you will find yourself striking a superhero pose. sports movie: friday night lights. what a frickin' waste of an evening. this movie is so pigeonholed to a finite group of people. the sad thing is that this demographic expects more from a movie. i not trying to piss on anyone's performance, as the acting was fine. but one billy bob thornton performance doesn't make an entire movie. the cinematography was fresh, but if you're going to make a movie, make a movie! don't try to be artsy just for the sake of being artsy. the style and storyline kept pulling at me in different ways, to the point where it was a distraction and diluted the story. the only thing i see of value for families is that wives will appreciate their husbands more after seeing the examples portrayed in the film. if thrillers: the ring. i haven't seen the sequel yet, but i did watch the first one in the theater. i can only imagine how much more frightening this would be if you watched it at home alone. don't. instead, watch this with someone you are really interested in. their heart will be racing and they will need to cling to someone for support. though the premise is a bit far fetched what scary movie? ; , everything else about it makes it work. even though i do give the premise a jab, it is truly original. it's original enough that it's parodied in scary movie 3 which is only good for those of you who really like dumb funny movies ; . have a favorite movie that you want to see reviewed? e-mail me at richard avsday. One another. finally sega is involved with content on docomo's imode platform by leveraging its strong brands such as chu chu rocket and virtuafighter. source 2000 sega annual report sega website the standard company index s. shockwave website address shockwave ; corporate web site: atomshockwave address 600 townsend street, ste 125w san francisco, ca 94103 developer contact: games shockwave publisher overview employees: 50, offices in san francisco, new york, tokyo, london key brands key games brands: tamale loco, dj fu wax attack, and loop. licensed properties: popcap's diamond mine, wildtangent's dark orbit, midway classics. description atomshockwave corp. was formed in january 2001 by the merger of shockwave and atomfilms. the company operates two principal sites: atomfilms , an online distributor of short films, animations and shows, and shockwave , an entertainment site that highlights a selection of games and interactive content. shockwave was previously a standalone company, spun out of macromedia nasdaq: macr ; with hopes of a public offering. originally as a showcase for entertainment authored with macromedia tools, shockwave changed focus to games after pursuing costly deals for celebrity cartoons and other hollywood content. following the merger with atomfilms there were significant layoffs, including the internal game development teams. the company now partners with independent developers, offering the opportunity to reach their significant audience of over 15 million monthly visitors, up to 850, 000 daily, who primarily visit the site to play games. shockwave has a database of over 65 million registered members, of whom almost 40 million can be emailed. shockwave supports all popular online platforms, including macromedia shockwave player, macromedia flash player, java, and the wildtangent webdriver. note that shockwave does not own, nor have any responsibility for macromedia's shockwave and shockwave flash technology and craps game download. Function, so you can see your creation in a wireframe mode, and make changes until your happy with the results, then render. when i first downloaded the last version of knot, i was a bit intimidated by about half of the interface, which will make anyone not comfortable with parametric equations isn't that 98% of the population? ; sweat. however, the good news is that if you are so inclined, the included printout manual explains very clearly how simple it is to understand, what the values mean, and how they affect your strands. if your eyes are still glazed over, rest assured that you can enter just about any numerical values, just to see what will happen. and it's usually interesting and beautiful. i've always designed, in whatever medium i've worked in, with layers of number sequences combined with traditional design devices, such as mirror image, half drop, etc. since first seeing harry smiths' gorgeous and hypnotic filmed animations about 15 years ago, i've been on the lookout for something modern that would allow me to use my secret methods to extract beauty from numbers, with visual results. knot is that program. not to mention that it's a hell of a lot of fun, especially when you begin to master it, and can boss those strands around! the output is infinitely diverse. i've started a web site, "the knot room", to showcase some of my experiments using knot, on the way to creating short animated videos. you can check out some of knot's capabilities there, and also submit your own work. that can be movies, stills, icons, or anything else made with knot, see the submission guidelines for more information. knot is shareware, very modestly priced at . us ; and available for download at the usual macintosh shareware haunts, or lloyd burchills website, where you can also find his interesting photoshop plug-ins. the program is fully functional unregistered, but your final renderings will have a globe that says "please register knot" in the corner. for an explanation of terms and phrases used in this article, check out the d.film glossary phillip pelletier and verne lindner talk about the making of "new testament" by steve baker in a garish display of commercial overkill, jesus christ appears as the spokesman for "new testament", a wine cooler. this is the premise of swankytown's short, "new testament" that appears in this year's d.film festival. with the excess of many of today's ad campaigns, jesus christ singing jingles to sell alcoholic beverages may not seem too far from becoming true. with this in mind philip pelletier and verne lindner, co-founders of la's swankytown productions, embarked upon the task of making "new testament." the result is a hysterical and extremely well made satire of the excessive and, many times, ridiculous nature of today's commercial advertising. * d.film: i guess one of my first thoughts was: "if the primary motivation behind 'new testament' was to just fulfill some personal desire to see it done, then this guy really knows all that is good!" so, what was the primary motivation? to finalize an idea that you hatched yourself, or is it based on something or done for some occasion or event? phillip: i wanted to make a social commentary on the relentless barrage of commercial crap we are inundated with every day. my motivation was to create a cautionary yet hilarious tale of capitalism run amok, full of music, special-effects, and mayhem. when i saw the nike ad with john lennon's "revolution" soundtrack, and the mercedes ad with janis joplin's song, that really did it. d.film: tell me about swankytown and yourselves. what kinds of stuff do you guys do professionally? are you working on any big personal or professional projects now? "new testament" has some really incredible production values. how did you acquire these skills? and what's up with that damn jingle? it's indelibly burned in to my brain. ; - ; phillip: i originally went to film school at bard college, but i dropped out when i realized i couldn't afford to actually make a film. i bought a guitar for 0 instead and went to berklee college of music, thinking that music was more practical. i went on to compose music for film and television. producing music sessions was a really good preparation for directing, in that you have to work with talent, deal with technical equipment, watch the clock, and handle groupies. as for "that damn jingle" as you call it, that ditty was scientifically designed to burn into human brains by me in diabolical musical laboratory. and it doesn't go away. ever! verne: i started out as a calligrapher-go figure.a few i got interested in computer graphics and got friends to sneak me into facilities at night and on the weekends so i could learn on my own. my first professional gig was morphing a pineapple into a can of fanta. i've also worked on hollywood films, such as sylvester stallone's "daylight" and arnold schwarzenegger's "eraser". recently i've worked on some indie projects that came to us from people who had seen "new testament". i like showing filmmakers who don't think they can afford effects all the things we can do here and still retain some semblance of a budget. phillip: swankytown was founded by combining our different abilities and backgrounds into one company. with verne's artwork, design and fx, and my directing, editing, and music, we're kind of like the old max sennet studios, only with better equipment. we recently completed a tv promo for the la int'l short film festival airing on the independent film channel. we wrote the fully animated spot together, verne drew, animated, and digitally painted the scenes. i edited, composed original music, did the sound design, recorded the voice-over, and mixed the audio. i also just finished producing original music & sound design for 20th century fox's re-release of "planet of the apes" in thx. 9.

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Alaska department of fish and game. homer spit pictorial history click on expansion and then earthquake ; : habitat.adfg ate.ak geninfo kbrr coolkbayinfo kbec cd html speci al timeline homerspt homemain . alaska department of natural resources, division of land, division of parks & outdoor recreation. adopted dec.1997. kenai river comprehensive management plan. alaska division of emergency services ades ; . 1995. disaster cost index report, damage survey report estimates. state of alaska, anchorage, alaska. alaska division of emergency services ades ; . 1996. individual and family grant application summary. alaska division of homeland security and emergency management adhs&em ; . 2002. individual and family grant application summary. alaska division of homeland security and emergency management adhs&em ; . state hazard mitigation plan. dma 2000 - updated september 2004. alaska department of labor and workforce development adlwd ; . 2002. place estimates 2000-2002 [ : 146.63.75.50 research pop estimates 02t4-3.xls]. alaska earthquake information center aeic ; . 2004. aeic earthquake database, geophysical institute, university of alaska, fairbanks. [ : giseis.alaska seis html docs db2catalog ]. alaska housing finance corporation ahfc ; . 2004. icbo certified inspectors [ : ahfc ate.ak department files ric energy icboraters ]. alaska oil and gas conservation commission aogcc ; . 1994. statistical report. association of state floodplain managers. 1985. reducing losses in high risk flood hazard areas: a guidebook for local officials. berg, e. 2004. white spruce fire history on the kenai peninsula, alaska, based on radiocarbon-dated soil charcoal. review draft. kenai national wildlife refuge, soldotna, alaska. christensen, d. 2004. the great alaska earthquake of 1964. geophysical institute, university of alaska, fairbanks [ : giseis.alaska seis html docs alaska 1964 earthquake ]. Attitude an attitude of nonchalance will brake you. to win, you must play with the spirit of a champion. program yourself accordingly.

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