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Levinson. from a distance ; nurse! nurse. yes, doctor? levinson. closer now ; this patient, here. his chart is missing. what's he in for? nurse. oh. this is mr. jack tollman. he doesn't have a chart. levinson. i don't understand. wait? jack tollman? i've heard of him. this guy's loaded. nurse. he knows my boss, the head nurse. every once in awhile they play out this fantasy. levinson. well, whatever it was, it must've been good. he's out like a rock. hey listen, maybe you and i could-- nurse. move it, docter! crank. so, this is mr. jack tollman. a dissolute individual, given to primal sensory excess. an ideal subject for the last of my formulations: my anti-body--or should i say, anti-libido serum! beat ; there! sleep well, mr. tollman. levinson. hey? you still around? listen, you're going to have to leave now. crank. but i'm afraid i haven't finished what i've come for, doctor levinson. you see, i want something from you. levinson. what? back due postage? look, i'm sure your theories would be very interesting to someone who isn't me, but-- crank. i want you to shut up now. your arrogance is beginning to annoy me. levinson. all right. crank. interesting, isn't it, docter, how a relatively simple mechanical device such as this can command so much more respect than all my painstakingly complex, and--dare i say--profound theories? levinson. yes, well, the meaning of your gun is certainly easier to grasp. crank. so be it. among other amusements, i here this evening on behalf of my leader--one of the most powerful men on earth. he has come secretly to this country.
By wendy petzel, lmft what was god thinking when he developed this whole concept of marriage? it is one of the most glorious and beautiful experiences one can have as well as one of the most difficult and frustrating. but really, what was he thinking when he put two beings together that are very different in the way they are "wired" physically, emotionally, mentally and sexually? let's take a little historical journey and see what we can come up with. back in the beginning god created "adam" which means red or blood in the face ; . this was the first male. but adam was alone. from the animal creation there was no suitable helper or companion. god caused adam to sleep temporarily lose contact with reality ; and took from his flesh and bone dna ; and created a woman; bone of his bone, flesh of his flesh. female means "punctured one or pierced one". the man was to "leave father and mother and cleave to his wife." the two were to become one flesh; a reference to one of the goals of marriage: intimacy spiritually, emotionally and physically. he designed intercourse to be fun for both! ; husband and wife would "cocreate" offspring. marriage is depicted here as meeting a need for companionship, partnership in having dominion over the spheres of influence god gave them and providing a safe haven for procreation. god also viewed marriage as an example of an enduring committed relationship, similar to the one god has with the nation of israel. marriage was a human example of the level of covenant or commitment god has to his people. he will not divorce us. other references in the bible say marriage reflects the relationship between jesus and his "bride", the church. the reflection here is about the "bride" church ; honoring and respecting the husband jesus ; and the husband jesus ; laying down his life for the "bride" church ; . practically, the bible asks the wife to respect her husband and the husband to be willing to sacrifice himself for his wife. why is marriage so glorious as well as so difficult a relationship? i've.
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Tracks tracks: 18 + 2 master tracks, v-tracks: 320 16 v-tracks per each track ; sample rate 44.1khz recording mode linear 24-bits m24 ; , linear 16-bits m16 ; , cd writing cdr ; * master tracks only max. simultaneous recording playback tracks 8 tr. rec 18 tr. play m16 ; , 8 tr. rec 12 tr. play m24 ; * depending on the organization of the song data, the disk drive performance, etc., the number of tracks that can be simultaneously recorded or played back may be limited. internal hard disk drive capacity 40gb recording time 10gb partition, calculated for 1 track ; 1, 340 min. m24 ; , 2, 020 min. m16 ; * the above-list.
| Re-installation of ceremonial arch, 1988 see below ; with new collection of used workers gloves from 12 nyc agencies and a new column dedicated to the nyc dept. of sanitation. additions and revisions in collaboration with new york city department of sanitation commissioner john doherty. methanogenesis with the mt. lake workshop, armory art gallery, virginia polytechnic university, blacksburg, virginia, june 21-july 16, 1994, director: ray kass with special assistance from dr. james g. ferry, director virginia tech anaerobe lab. installation with 72' l x 8' drawing on plastic and bentonite landfill lining material and other media. 100 community participants. 1993 re-spect, performance work on the quai de la navigation and the rhone river, givors, france, october 28, 1993, 5-6 pm, directors: alain charre and jacky vieux; project coordinator: amanda crabtree; american consultant: tom finkelpearl, commissioned by the institute for art and the city, in collaboration with the city of givors; vmc glassworks rive-de-giers; and the rhone navigation department, lyons. supported by the ministry of culture visual arts department, paris; drac rhone-alpes regional arts bureau, lyons; the ministry of equipment, paris; and the head office of architecture and urbanism, paris. multi-part, choreographed procession through town and a 4-movement ballet including: 27 city sanitation, park, and fire trucks, 3 barges, 100 tons of crushed cobalt glass, and 100 school children. blizzard of released and agitated materials in flux, permanent installation for the recycling through art museum, taedok science town, art pavilion, taejon, korea, august 7-november 7, 1993, curator: terrie sultan; commissioner of expo: yungwoo lee, commisioned by taejon international exposition. recycled styrofoam, 20, 000 hand-shapped objects of crushed cans, and shredded steel, 15.3' h x 20.3' l x 12.7' w. catalogue. ceremonial arch honoring service workers in the new service economy ii, temporary installation for american cultural pavilion, taedok science town, taejon, korea, august 7-november 7, 1993, curator: nancy pressley; project manager and director of installation: jane keller, commisioned by taejon international exposition. re-installation of ceremonial arch, 1988 see below ; with additions and revisions. korean workers' gloves and new parks columns in collaboration with korean gardener. new streets column with glassphalt created in collaboration with nyc dept. of sanitation. catalogue. 1992 undergarden ii, installation for dispossessed installations, florida state university gallery & museum, tallahassee, florida, august 24-october 4, 1992, curators: terri lindbloom and paul rutkovsky. unfurled "roll" of geosynthetic landfill liner on red north florida clay, plastic liner, water, heavy tackle, and hoist, 12' w x 35' l x 9'10" h. catalogue. movin' on along: barge and towboat ballet, performance work for three rivers arts festival, pittsburgh, pennsylvania, june 21, 1992, festival director: jeanne pearlman. choreographed ballet for two pushboats, three barges with recycled glass and steel, and a group of retired steel workers at the confluence of the ohio, allegheny, and monongahela rivers. catalogue. pit egg: a new low for holland, installation for allocations, world horticultural exhibition floriade, the hague and zoetermeer, netherlands, april 10-october 11, 1992, curators: maria rosa boezem, jouke kleerebezem, and michiel den ruijter. landfill lining welded to fit excavated earth pit along canal and bargerafts loaded with used work gloves from european countries. catalogue and online black jack game.
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Santa barbara, ca, january 10, 2008 -- gemina the "crooked-necked giraffe, " one of the santa barbara zoo's most recognizable and beloved animals, was humanely euthanized wednesday, january 9. "we observed a decline in her appetite over the past two weeks and she had stopped eating all together, " reports alan varsik, the zoo's director of animal programs and conservation. "the welfare of our animals is the number one concern here at the santa barbara zoo and her declining condition appeared to affect her quality of life. we did everything we could but the time came when we had to make the humane decision. she was off exhibit in the giraffe barn when she died." a necropsy has been performed, though the results will not be available for several weeks. it is believed that her final ailment was not related to her neck condition. "her demise is consistent with the challenges of old age, " notes varsik. "though a few giraffes in captivity have been known to live into their late-twenties, reaching age 21 is considered an achievement, " said rich block, zoo ceo & director. "she was a great animal ambassador, showing that differences can be accepted and even celebrated. she will be missed." this popular animal recently celebrated her 21st birthday in style with a serenade by zoo campers, a "giraffe-sized" birthday card, and a special treat of acacia, her favorite food. a humorous, zoo-produced video about gemina was created at that time and can be viewed on the zoo's webpage, sbzoo . the webpage also has a place for the public to post remembrances about gemina and to make donations in her memory. about gemina gemina was born july 16, 1986, at the san diego wild animal park to ginger and black jack, who were both born at the san diego zoo. she has lived at the santa barbara zoo since she and black jack.
Mcgraw-hill's dictionary of american slang and colloquial spears, richard a. expressions richard a. spears. grammar to go : the portable a-zed guide to canadian language colter, rob rob colter. how to use parts of speech : grades 6-8. smith, j. l. canadian a - z of grammar, spelling & punctuation edited by katherine barber and robert pontisso. cornerstones : canadian language arts : teacher's guide 5. earobics clinic software, step 1 [computer file] earobics clinic software, step 2 [computer file] develop reading fluency using poetry : grades 2-4. oxford reading tree teaching notes : stage 7, more stories a. sing a song of poetry : a teaching resource for phonemic awareness, phonics, and fluency [gay su pinnell & irene c. fountas] cornerstones : canadian language arts : anthology 6a. cornerstones : canadian language arts : anthology 6b. hayes, nan e. howell, gill pinnell, gay su barber, katherine, 1959.
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Hotel" or "motel" includes any establishment furnishing bed and breakfast accommodations to transient persons. for the purposes of this rule, a person who is renting from a condominium for a period of at least three consecutive, complete months or for a minimum of ninety consecutive days is not considered to be a transient person and no sales tax is due. additionally, any hotel or motel may exclude the gross income from charges for non-transient guests. the hotel must have a building s ; set separate and apart from the other buildings that is held exclusively for long-term rental. the building must contain rooms with kitchen facilities and may not be used to provide lodging for transient persons. for the purposes of defining non-transient guest, the guest must enter into a contract at the beginning of the stay, for a period of at least three consecutive complete months or for a minimum of ninety consecutive days. a "trailer park" is a term used to denote that type of park established for the purpose of accommodating travel trailers pulled either by automobiles or other type vehicles or selfpropelled, which are in a travel or transient status and where utilities are connected in a temporary manner. for tax purposes, a "trailer park" is any one location where trailers, campers or other mobile units may be parked for a fee, either permanently or temporarily and irrespective of whether utility facilities are available. the gross income of trailer parks is subject to the regular retail rate of tax. a "mobile home park" is a park establishment for the primary purpose of accommodating mobile homes which are permanently located, registered with the county tax assessor as provided by section 27-53-5, hooked up to water, sewer, gas or electric utilities with permanent meter connections which are not easily disconnected, and tied down according to regulations and other requirements. such facilities are considered a home and place of permanent residence. it therefore appears that the statute which specifically denotes 'hotels, motels, tourist courts or camps and trailer parks" refers specifically to travel or transient accommodations and not to residents of mobile homes. sales to mobile home residents of potable water, electricity, gas or other fuel for residential use are exempt from sales tax. reserved.
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Lord. vishnu therefore linked his own name with the devotees - hence, badrivishal. this place was earlier the home of lord shiva and parvati. to gain entry into their cave vishnu played a trick on parvati. taking the form of a small infant he lay crying outside their home. parvati, the tender motherly goddess, picked up the infant, not heeding lord shivas warning. she left it sleeping and went with lord shiva to bathe in the tapth kund. when they returned, the entry to their cave was barred. so they decided to move to kedarnath. however, the neilkanth and narayan stand side by side to guard the badri dham - to show that shiva and vishnu bore each other no ill will. having reached badrivishal , we bathed in the hot agni or tapth kund to wash away our sins while we could ! the story goes that agni wished to remain at the feet of lord narayan in badrivishal - to rid himself of brighu rishis curse. this accounts for the presence of the agni kund in badrivishal. at 6 p.m., we went to take darshan of badrivishal. according to the shastras, lord vishnu worshipped a saligram a smooth black pebble ; during 9th century ad, when shankaracharya sought to install an idol there, the local priests told him that during chinese tyranny, the idol had been hidden in the nearby kund; and they had set up the shaligram instead. shankaracharya then sat and meditated at the narad kund to seek guidance. inspired, thereafter, he stepped into the kund despite warnings against the undercurrents in the alaknanda. thrice he sought, and each time found a beautiful idol with a right hand that had broken fingers. the third time he had a divine revelation, that in kaliyuga, devotees would have none other than the dismembered form to worship. finally, he brought the idol of lord narayan on his shoulder and with due respect installed it in the temple. this radiant idol now has a crown of diamonds, a tilak of chandan, a golden garland under floral garlands ; and a chatra of gold above his head. gazing at this divine form in the shringaar mudra brings infinite peace to the soul and free black jack.
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