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Jacket. i looked back at the deserted promenade. not a soul in sight. i was alone again but i felt so disturbed by recent events. i had never felt so lost. not until the flash red car pulled up alongside me. she got out of the car. a black ermine long coat and white fur hat. her lips were as red as cherries. she came up to me and took me in her arms, held me from behind. my hands had frozen to the metal bar i was holding. "you held my hand and watched me home, remember?" she asked me, her warm lips up close to my ear. an explosion of domestic violence assaulted me there as she held me. was that me? was i that physical back then? did i do that to her? did we really cause that scene in that hotel in paris? lost in a city where i didn't speak the lingo, chasing after her as she strode into the honking traffic. got into an argument with some driver, hanging out of his driver-side window, shouting all sorts of foreign filth in my direction. i shrugged an apology but by the time i was back in pursuit she was nowhere to be seen. was that the last time i'd seen her? did i travel back on the plane alone? what had i done with my life since then? i felt her behind me, like a blood-sucking leech. i couldn't bear to be near her. who was she? what connection did we really have? why was she following me? hugging me? why were we here on this chilling seaside? confused, didn't know what i was feeling. some b&b overlooking the grey slab that was the sea. she was a buxom girl, full bust, great ass, she had these half-cut hornrimmed spectacles. i shouldn't have felt this way about her, but her shifting sexuality made me wanna hurl. i could barely hold in my hatred, my revulsion, my anger. was she that desperate to seduce me that she'd match her anatomy to my every whim? would she pour honey all over herself, drip her nipples in full-fat cream, smear herself with cake. what would she do to win me over? the view split horizontally into three. i knew then that i had gone beyond the pale. it was just like reality. the same view. the same script. but there was inaccuracy and delay in each of the three rows of my `vision'. i was kissing her as a blonde in the kitchenette area. i was watching her jeans she had a great ass. i sat beside her. this wasn't a b&b, it was a penthouse apartment. why hadn't i seen that when i came in? there was a big painting of a single eye on the wall, watching me. waiting for me to make the next mistake. we were on the bed, not touching. she had on skeleton underwear. i looked into the mirror and thought about dying. i pursued her round the room in a fury of anger. i knew at any minute i would grab her by the shoulders, spin her round and head butt her pretty nose again and again until she fell unconscious onto the plush but worn shag pile. the door opened. room service had brought us something to eat, something to drink. on the heavily-laden trolley was a white orchid. a suitable juncture for a brief interlude and hopefully some respite from the pain and confusion.
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Excellent noise - especially when not played under duress." [fdw vital weekly] "once known as crawl unit, the californian misanthrope joe colley has never been as prolific as many of his contemporaries such as francisco lopez, daniel menche, and the hafler trio. while this is not to say that none of those artists exhibit much in the way of quality control quite the contrary! ; , joe colley's constant fussiness coupled with a self-identification with failure lends his recordings to readings as these fringe elements of sound research touching on psychological issues into the nether regions of the human psyche as well as mechanical engineering gone awry. it's been a little over two years since colley's previous album desperate attempts at beauty, and we have to say that psychic stress soundtracks is a step up from that impressive piece of work. refreshingly devoid of digital effects and techniques, the psychic stress soundtracks feature five lengthy compositions in which a handful of surplus electronics, motors, and mechanical objects have been rewired to exaccerbate their collapse. within the hiss of circuits meltings and gears jamming, colley coaxes a toxic array of hums, clicks, pings, and drones, and in turn, sculpts them into an amazing set of electro-shock minimalism confounded by numerous compositional detours and ruptures. this is well worth checking out!" [aquarius] * column one dream time cd 90% wasser wcd006, 2005 ; 17.00 , , fr nur 25 euro-cent bin ich immer fr dich da" . column one extrahieren das nicht-erfllbare begehren, die lustvollen versprechen der kulturindustrie & massen-medien, dekonstruieren und fhren sie vor: billigste commercial-music, verfhrerische cut-upstimmenfragmente & samples aus dem themenkreis liebe, sex, porno-industrie, werbung, schlpfrige kontaktanzeigen, romantik & drama in tv & film, aber auch selbstgespielte ? ; sachen dabei . eine cd die einen nicht kaltlsst, mit zwei booklets und grossformatiger vollfarb-hlle. " a n anthology of selected public & private materials 1994-2004 ; wcd 006, normal edition: new full length studio cd by column one comes in special folder incl. 64 page booklet. the sun is shining and the sky is bright blue above the laughing children. noses with freckles, little princesses and big robbers have gathered for a picture. the boys and girls are wearing their underwear in sweet poses and present themselves so nicely before grandmother, mommy and daddy that the old underwear soon will have to be thrown away. how cute! ?dream time", the dreamy title of this advert for children's underwear gives this scene ist friendly atmosphere and no cloud is to be see on the horizon. the little children are so perfectly integrated in the concept of western humans, they seem to understand the game that they are playing in the underwear section of the mailorder catalogue. not even at second glance the picture is disrupting its perfect surface. thus began the collecting, cutting, transforming, reassembling of these materials, that penetrate our everyday life. so many people are involved in its creation, reproduction, cleaning and protection. the materials here collected are almost ; exclusively materials of major media slogans, pictures, tvmaterials ; , a direct expression and language of our everyday surroundings. non of the materials come from closed circuits. they were collected while having breakfast, shopping or getting the mail, while driving or during holidays, before falling asleep or during sleep. these materials are a depiction of a conscious act and state, not an accident and not an empty form written on a wall. it is something & it says something. ?dream time" materialised in different performances 2002-2004 ; , the work on a film has not been terminated until today. this project is a mirror and a distorted anthology of the 10 years of column one's existence. the materials are biographic snapshots and testimonials of the internal struggle with the ?mediated", with an intermind, with this hallucination. " [label info] * column one dream time cd & cdr special edition 90% wasser wcd006, 2005 ; [lim. 75] 33.00 the special edition see above ; with bonus cdr ! " d ream time " s pecial edition " limited edition of 75 numbered copies wcd 008 + wcd 006, contains the normal edition & the special edition: cdr with unreleased material, original grafics & inserts, recycled lp, comes in a silver lp sleeve, all handmade & numbered. " [label info].

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Wake-on-keyboard wake-on-mouse this function allows you to use the keyboard or ps 2 mouse to power-on the system. refer to "jumper settings for wake-onkeyboard wake-on-mouse" in chapter 2 and "keyboard mouse power on" in the integrated peripherals section in chapter 3 for more information. important: the power button will not function once a keyboard password has been set in the "kb power on password" field of the integrated peripherals submenu. you must type the correct password to power-on the system. if you forgot the password, power-off the system and remove the battery. wait for a few seconds and install it back before powering-on the system. the 5vsb power source of your power supply must support 720ma. rtc timer to power-on the system the rtc installed on the system board allows your system to automatically power-on on the set date and time. refer to "resume by alarm" in the power management setup section in chapter 3 for more information. acpi the system board is designed to meet the acpi advanced configuration and power interface ; specification. acpi has energy saving features that enables pcs to implement power management and plug-and-play with operating systems that support os direct power management. currently, only windows 98 2000 me supports the acpi function. ac power failure recovery when power returns after an ac power failure, you may choose to either power-on the system manually, let the system power-on automatically or return to the state where you left off before power failure occurs. refer to "pwr lost resume state" in the integrated peripherals section in chapter 3 for more information and casino hotels.

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239 tal building-block of nature, and that atoms of all elements might be built up out of hydrogen. prout's hypothesis was destined to be killed several times, and revived several times. it was soon discovered that many elements have atomic weights which are not even nearly integral multiples of the weight of hydrogen. this discovery killed prout's hypothesis for the first time. however, through their studies of radioactive decay, rutherford and soddy discovered isotopes; and isotopes revived prout's hypothesis. rutherford and soddy demonstrated that in the decay of uranium to its final product, lead, a whole chain of intermediates is involved, all of them radioactive, and each one changing spontaneously to the next. but what elements could these intermediate links of the decay chain be? after all, among the known elements, only uranium, polonium, radium, actinium and thorium were radioactive - and one could show that these elements could not represent all the intermediates of the rutherford-soddy decay chain. in 1912, in rutherford's manchester laboratory, a young chemist named georg von hevesy was trying to separate by chemical means two radioactive decay products known to be different from each other because their half-lives were different. but no matter what he tried, von hevesy could not separate them. all chemical methods failed. hevesy discussed his troubles with niels bohr, who suggested that the two decay products might be atoms with the same nuclear charges, but different atomic weights. since the number of electrons was determined by the nuclear charge, and since the chemical properties were determined by the number of electrons, it would be impossible to separate the two decay products by chemical means. they were, in fact, different varieties of the same element. the same idea occurred simultaneously and independently to frederick soddy. in the autumn of 1912, he published a detailed paper explaining the concept, and introducing the word "isotope". each chemical element, soddy explained, is a mixture of isotopes. for those elements whose atomic weight is nearly an integral multiple of the atomic weight of hydrogen, a single isotope dominates the mixture. all the isotopes of a given element have the same nuclear charge atomic number ; and the same number of electrons; but two different isotopes of the same element have different atomic weights and different nuclear properties, some isotopes being radioactive, while others are stable. when a nucleus emits a beta-particle a high-speed electron carrying one unit of negative charge, but very little mass ; , the weight of the nucleus is and usa casino. 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The olesens mrs. olesen began her federal career in 1979 at scott afb. previously, she worked various jobs in the private sector as she moved around with her husband. "i never thought of working in civil service; however, it was easier at that time to get a government job than one in the civilian community, " she explained. she began her career at air force communications command headquarters. she was promoted to the civilian personnel office, then assigned to the keesler civilian personnel office upon their assignment here in 1981. after several years, she requested reassignment as a secretary, a field she said she dearly loves. in that capacity, she worked at the 81st civil engineer squadron, military personnel office, 81st mission support squadron and the 81st training wing vice commander's office -- each move a promotion. in 1993, she was selected as the secretary to the wing commander, the position she occupies today. noting that she's worked for 11 center and wing commanders, mrs. olesen said, "the best part of my job has been the opportunity to work in the nucleus of keesler, to get to know and assist in every facet of keesler's mission. by learning the mission, you obtain a working knowledge of what the commander is responsible for. it's so gratifying to be able to assist the boss with what is required to perform the job. it's a tremendous challenge. "in addition, i've had the pleasure of interacting with members of the civilian community, as well as our congressional leadership. i've had the best of both worlds -- 43 years of association with the air force and, for the past 26 years, living and getting to know the citizens of biloxi, " she added. the olesens' main retirement objective is to spend more time with their three children and six grandchildren.