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Anticipation. but radio is turned off before answer given and prize awarded or not. annoyance. hand dives into pocket. art tears off fresh lump of ear waxy stuff, rolls soft white crap around awhile with his finnies `n thumb-stuffs it down external auditory canal of weird ear. bang ho is haan-ridden country yangpan who converts to catholicism and immigrates to u.s. after korean war. to customers like art, bang ho expresses his indignation, "uh-gul-ha-da!" fact: his wife suffers bouts of hwa-byung. whenever art attempts to converse with him, he only gets in reply: "you forget me foreign, me no speak engrish too god me speak with atrocious accent; me has weak voice because of all great suffering me endure." always on cutting edge of entrepreneurial pursuits, bang ho gives customers fortune cookie when laundry picked up. art's last fortune read: "the lone waited for day is rust around the corner. you're extra special to the end. just look in your mind. good day." as art saunters back to dome-home that day he sings to tune of "home on the range" ; bit of doggerel copped from inventor r. buckminster fuller: roam home to a dome where georgian and gothic once stood now chemical bonds alone guard our blondes and even the plumbing looks good. one man as thin as a fuse and his dog, cocked `n spherical as a rocket, pass art going in opposite direction. simultaneously in pogacnic's kitchen--where vivid sunlight makes room seem oppressively populous--peven vigorously cleans his lenses and filters while unattractive noreen shows off her neck-length blah-colored hair so filamentous you can detect large patches of scalp through it she must have stood back in simple dismay when all physical gifts were being handed out ; while intoning wisdom uttered between teeth arrayed like rank of men on stadium terrace, tugged into this or that position by groans of obsessed crowd. wisdom from, at times, her mother--"flowers are god smiling at us, deary"-- other times citing photographers like robert adams [no relation to ansel], idealist drivel about "the significance of grace in photography, " and "a mystery at the end of every terror--the survival of form." although noreen does think of herself as below her husband in every way, in grace, in beauty, in sophistication, pev realizes she is his angel, repairing him, dressing all his bleeding wounds. like best of artists, she can discuss the gauze of august light falling across billowing curtains at construction sites; once even. Theorem 6.22 [solution preserving the state space crap r ; ] assume for every t 0 there are constants 0, 1 ; and ct 0 such that for every t t , x and u r: |a t, x, |u| + |u| ; , |b t, x, u ; | |u|. 6.33.
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Commercial product is credited to warren robinett, the programmer of adventure for the atari 2600; unlocking the easter egg shows you his name at the time, developers were almost never creditted in console games ; . some terms used by game programmers have passed into general usage, too; ai `artificial intelligence' ; is often used to mean "computer-controlled opponent, " and indeed the computer-controlled opponents' choices in the action are determined by very primitive artificial intelligence routines. "the ai beat crap out of me." ; when a computer needs to determine a route for a unit in a game, it uses pathfinding algorithms to determine the best possible route for the unit--but pathfinding algorithms can be computationally very processor intensive, so that many games cut corners by using less than optimal--but faster--algorithms, resulting in such oddities as a unit getting caught in a cul-de-sac. in which case, gamers say "the pathfinding sucks." and many games boast about their realistic physics model, which supposedly helps objects in the game behave more like real-world objects. gaming has grown from virtually nothing to a multibillion dollar industry over a remarkably short period of time--since nolan bushnell placed the first pong machine in a local bar in 1972. the field continues to mutate and grow amid rapid technological change--currently, the internet and emerging wireless technologies are reshaping it, even as designers create games like the sims, a simulation of suburban life, that appeal to entirely different types of players. as the mere recitation of the different types of games demonstrates, the game is an enormously plastic medium, and we have yet even to ring a fraction of the changes possible in the form. as new game styles emerge, we can expect continued rapid linguistic innovation among gamers and the developers who cater to them. [greg costikyan has published more than 30 game designs and four novels; he founded unplugged games, a wireless game firm, and consults and writes about games, game design, and game industry business issues. thanks to noah falstein, sean timarco baggeley, brian upton, kent quirk, brian sharp and russ williams for assistance in compiling this article's vocabulary.].
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Containing k are different in some identifiable way from those that do not contain k . these two types of data taken together, i believe, constitute very strong evidence that phonemes are meaning-bearing. * the salience of sound-meaning in a word is inversely proportional to the concreteness of its referent: the basic evidence for this is that if one classifies a large set of words like all the english monosyllables ; into phonesthemes, one finds that about 3% don't fit in any phonestheme, and these 3% are always concrete nouns. that is to say, the do fit in one of the following concrete noun classes: people, titles, body parts, clothing, cloth, periods of time, games, animals, plants, plant parts, food, minerals, containers, vehicles, buildings, rooms, furniture, tools, weapons, musical instruments, colors, symbols, units of measurement. * semantic association happens productively even on the level of the phoneme: one type of indirect evidence i will present that phonosemantic association is living and productive is the astounding generality of the phonesthemes as evidenced by tests of type 1. if there were no productive force maintaining this phonesthemic structure, then surely phonological shifts over the centuries would have long since disintegrated any discernible sound-meaning correlations in a language which has undergone as much change as english. another more direct type of evidence involves tests of type 2 in which informants are asked to invent arbitrary definitions for nonsense words. if asked to make up definitions for nonsense words beginning with 'gl-', a disproportionate percentage of these definitions will concern reflected light or 'gluiness', just as a disproportionate percentage of gl words in the english vocabulary concern reflected light or 'gluiness'. the informants therefore are productively 'clustering' nonsense words with similarly sounding words in the existing vocabulary. * the productive nature of true iconism: one type of evidence for iconism which has already been mentioned is to find a group of words which seem very similar in every way -- i.e. they have the same argument structure, part of speech, referent, etc. if one then compares these words, one finds that there is a quite regular and intuitively 'iconic' correspondence between their phoneme structure and their connotations. another type of evidence for iconism consists in comparing phonological forms with word semantics across languages. if words containing a phoneme sequence k-v-n or s-t-r are always limited to a narrow range of semantic classes across unrelated languages and vocabularies that are not cognate, then the sequence k-v-n must have some universal meaning. such tests provide evidence both for clustering and for iconism. yet another type of evidence for iconism is to ask naive informants to invent nonsense words to describe semi-abstract images. the words chosen for a given image are confined to a much more limited set of phonological forms than one would predict if the choice were purely arbitrary. finally, phonesthemic classifications for a given phoneme resemble the phoneme's articulation. this would be a very strange coincidence indeed if there were no true iconism active in language. the initial experiments primarily test for phonosemantic association and the phonosemantic hypothesis, while the final experiments primarily test for iconism; the intermediary experiments are evidence for both, with increasing emphasis on iconism. the initial experiments offer more insight into the precise structure of word semantics, and the final experiments offer stronger evidence that these generalizations i have outlined are the result of productive natural laws, and are not solely explainable as historical artifacts. since it is harder to see iconism than clustering, for the sake of ease of exposition, i present the clustering experiments first. Roundtable discussions feature the best in networking and education. learn from other industry leaders and share your knowledge, methods and procedures with your peers on a variety of topics. this new opportunity offers participants a chance to exchange ideas and industry innovations. enjoy a continental breakfast while discussing proven solutions with your colleagues from around the region. there is no charge to attend the breakfast roundtables, but you must register in advance. space is limited to the first 70, so register early to reserve your seat. see pages 18 19 for a listing of topics. live auction a wide variety of items, from turf supplies to travel, will be up for bid in the live auction. don't miss this chance for great bargains while supporting turfgrass research. all proceeds from the auction benefit the ohio turfgrass research trust otrt ; , the charitable arm of and basic craps. With a 5: 45 a.m. wake-up call and went until dinner at about 6: 30 p.m. the food wasn't great. it is what i'd call top-quality cafeteria food. the thing i remember most was that we had chicken every day. i got so sick of it. when i complained, i was told "that is the menu period." all of the girls had to help with the cooking and the cleaning chores. one of the first things that i learned at school was about "natural consequences" and "real consequences." natural consequences is like the chicken every night for dinner. if you don't eat your dinner, then you are going to be really hungry at breakfast. real consequences is like if you get into a fight with someone and you break the tv, then you have to pay for the tv and you have to go to shut-down. shut-down is when you are totally isolated from the rest of the girls. you are only allowed to talk to staff people, and you can't go to classes. you do your school work in the residence. you lose your bedroom and you have to sleep on a mattress in the living room. i was only in shut-down once and it was brutal. that was enough for me. i learned to obey the rules. on mondays, wednesdays and fridays, we had group therapy. i was in three groups: independent living, chemical dependency and abuse survivors [from her natural parents]. these groups were hard core. what i mean is that you really have to go deep inside of yourself in order to deal with the crap you got dealt. there was a "peer questioning" thing that every newcomer to the group had to go through. i got the nickname "grill mistress" because i always asked the hardest questions of the newcomers. like i would ask someone, "why do you think that you are ready for this group?" and if i got some lame answer like, "my counselor put me here, " then i would say, "you're not ready for this come back later." kids who would try to bs the group were basically told, "there is the door go." and they went. usually it took about two or three times before the. 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In search of lee the years of wandering, without roots, ever since i was thirteen and had to leave austria, leaving my father behind in england, trying to make sense of all the changes, growing up without guidance that i felt i could trust, had drawn all my strength from me. now i was worn down and came to a sharp halt, with unbearable headaches, tears, and a total loss of direction. my first experience with psychotherapy followed. a motherly german woman, following the adlerian mode, urged me to become more political, that is become involved with in the labor school in s.f., which her daughters were doing, and to open myself quickly again to a relationship with a man. the first was easy to resist, i was never inclined to join groups, always skeptical, although i longed to belong to something. loneliness did push me into the arms of george, who became my first husband, and the therapy came to an end. soon george decided to return to graduate school and we left california for idaho, where his roots were, to attend the university of idaho in moscow. that year i earned an ma in english. the following year took us back to new york. lee's cousin kitty, who had taken over the old apartment on west 10th st. was about to move on and turned it over to us. the rent had gone up only ten dollars a month. so here i was again, just three years later. i obtained a scholarship to work toward a doctorate at teachers college, in the area of education for marriage and family life, an interdepartmental program, involving anthropology, child development, psychology, sociology, education. with various odd jobs we managed to survive, but before long the marriage fell apart. sex and bodywarmth were not enough to maintain the bond as i began to get a greater awareness of the distance between us, felt less needy and more confident. i was beginning to teach, the possibility of an independent life had a pull on me, although i think i hardly recognized what was at work. i remember thinking that i could never have a child with george, he lacked the warmth, the ease that i would want to share in parenting. yet when i did ask him to leave and he, utterly astonished, complied, i was devastated, terrified of the loneliness once more. i was twenty-seven. i felt that i had no hold on my life, that i was lost. i turned to psychoanalysis, and gradually freed myself from layers of emotional burden. i have spoken of all this because, as lee and i met again, so much had happened to us both, i hoped for long talks, a sharing of confidences, explorations of where we had been, where we had come, and was surprised by the lack of opportunity that we allowed ourselves, as much as the lack of interest lee showed. i began to write this because of a number of reasons: curiosity, a wish to understand the dreadful way lee deteriorated - talents unused, a woman of great qualities aging prematurely - fallen into passivity and desperation. why? the patriarchy into which she married certainly played a part. her own willingness to submit to it, to live out the old myth rather than finding a story of her own? i - 58.
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