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Table 10.3 shows the great range in violent content across the channels, from 2.5 incidents per hour in programmes shown on tv1 to 13.4 on nickelodeon, and from 44% of programmes with violence on tv1 to 90% on sky movies. the incidence data from table 10.3 column 2 ; are graphed in figure 10.1. tv1 is the closest new zealand has to a public broadcasting channel in its programming. it shows the lowest percentage of violent programmes. tv2 is also part of the publicly owned television new zealand, but has incidence figures similar to a commercial freetoair broadcast network. the other freetoair channels look similar in their levels of violence to the american broadcast networks see international comparisons, below and gambling casino online.

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Moore: how does your approach to tape music filter into your approach for carbon-based music, and vice versa? primosch: the electronic studio is an ear-training process in that it invites you to listen intently to the inner life of sounds, and unless you have had serious training as a performer, you may not have paid attention to details of attack and decay, and how timbres change over time. you can get interested in the micro-structure of how we experience sound, what makes a musical gesture, how can you get an accent? is it just playing it louder? what happens when you play it shorter? this means you can become interested when working with, as you say "carbon-based lifeforms, " in constructing new timbres, in seeking out how an attack can be constructed in a composite way, an attentiveness to details, an avoidance of rote solutions. work with the electronic medium really encourages this attention to sound's inner life. moore: i noted that the attacks in holy the firm seem to be dispersed over time and across the ensemble. primosch: or another way of looking at that is that i looking for an interesting way to project what george rochberg called "the harmonic envelope." he startled us in seminar by saying that "composers don't know how to write accompaniments for melodies, " which seemed preposterous in 1978, but there's a lot of truth to it, since what he is talking about is the ability to project harmony in a convincing way. moore: i suppose you could blame schoenberg and serialism for this, in that once everything is serially determined everything becomes foreground, and nothing remains as background. primosch: i don't know about that. you still hear the opening of schoenberg's fourth quartet as a tune for the first violin, with chords accompanying. if you want to blame anybody you blame anton webern and milton babbitt, in the sense that everything is thematic nothing is ornamental in those composer's musics, everything is structural. as fascinating and as lovely as those musics are, there are other possibilities as well. moore: so this takes us back around to the use of pre-existing material, which we were discussing earlier. primosch: in holy the firm, although i try to have a real musical voice in the ensemble, the starting point was very much the vocal line, finding the right musical gesture for the text, and then finding a harmonic world that could serve that melodic gesture. in that sense, although the tunes are all my own in that piece, it is like the pieces that employ pre-existent melodic material. 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Fetherstonhaugh, t., & treagust, d. f. 1992 ; . students' understanding of light and its properties: teaching to engender conceptual change. science education, 76, 653-672 feurzeig, w. 1988 ; . apprentice tools: students as practitioners. in r.s. nickerson & p.p zodhiates eds. ; , technology in education: looking toward 2020. hillsdale, nj: erlbaum. forbus, k. d., sherin, b., carney, k., & harris, r. t. 2000 ; . explanations: the missing leg. paper presented at the workshop to integrate computer-based modeling and scientific visualization into teacher education programs held in arlington, va, 64-79. fraknoi, a. 1996 ; . the state of astronomy education in the u.s. in j. percy ed. ; , astronomy education: current developments, future coordination, 9-25. astronomical society of the pacific: san franciso, ca. gee, j. p. 2003 ; . what video games have to teach us about learning and literacy. new york: palgrave st. martin's. gentner, d. & toupin, c. 1986 ; systematicity and surface similarity in the development of analogy. cognitive science 10, 277-300. grosslight, l., unger, c., jay, e., & smith, c. 1991 ; understanding models and their use in science: conceptions of middle and high school students and experts. journal of research in science teaching, 28, 799-822. halloun, i. & hestenes, d. 1985a ; . the initial knowledge state of college physics students. american journal of physics, 53, 1043-1055. halloun, i. & hestenes, d. 1985b ; . common sense concepts about motion. american journal of physics, 53, 1056-1065. hay, k. e & barab, s. a. 1998, april ; . building worlds: tools of virtual practice. paper presented at the annual meeting of the american educational research association, san diego, ca. hay, k. e & kim, b. 2004, april ; . virtual reality modeling-based inquiry. hay, k. e. 1999a, april ; . the digital weather station: a study of learning with 5d visualization. manuscript presented at the annual meeting of the american educational research association, montreal, canada hay, k. e. 1999b ; . computational science inquiry cycle csic ; : students "doing" new science enabled by virtual reality. paper presented at the annual meeting of the american educational research association, montreal, canada hay, k. e., & barab, s. a. 2001 ; . constructivism in practice: a comparison and contrast between apprenticeship and constructionist learning environments. journal of the learning sciences, 10 3 ; , 281322 hay, k. e., marlino, m., & holschuh, d.r. 2000 ; . the virtual exploratorium: foundational research and theory on the integration of 5-d modeling and visualization in undergraduate geoscience education. in fishman, b. j. & o'connor-divelbiss, s. f. proceedings of the international conference of the learning sciences: facing the challenges of complex real-world settings. 214-220 hay, k.e, crozier, j., & barnett, m. 2000 ; . the virtual gorilla project. paper presented at the annual meeting of the american educational research association, new orleans, la. hestenes, d. 1996 ; . modeling methodology for physics teachers. proceedings of the international conference on undergraduate physics education, college park, md. hestenes, d., wells, m., & swackhammer, g. 1992 ; . force concept inventory. the physics teacher, 30 3 ; , 141-158. jackson, s. l., stratford, s. j., krajcik, j., & soloway, e. 1994 ; . making dynamic modeling accessible to precollege science students. interactive learning environments, 4 3 ; , 233-257. johnson, a., moher, t., ohlsson, s., & gillingham, m. 1999 ; . the round earth project: collaborative vr for conceptual learning. ieee computer graphics and applications, 19 6 ; , pp. 60-69. keil, f., & batterman, n. a. 1984 ; . a characteristic to designing shift in the development of word meaning. journal of verbal learning and verbal behavior, 23, 221-236 and casino roulette. 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Target corridor that is, the exact advantage compared to commercial loans ; for the terms of its loans53, and as the dominant commercial rate at that time is not readily available, it is impossible to exactly determine the financial benefit from taking a loan within the local authorities loans programme compared to a commercial loan. after the 10-year timeframe, the interest rates had to be adjusted to financial market conditions. a combination with other public expenditure programmes, including grants, was possible. loans were disbursed in instalments following the completion of the construction phases of the project genter 1992: 4 ; . in applying for support from the programme, project owners were required to submit their requests through standard application forms. all project proposals had to include qualitative as well as quantitative information on environmental effects to be attained. a financial plan describing all sources of finance for the project was required. however, no information is available on whether the indicators of environmental outcomes were used as an essential criterion in the project appraisal and selection employed by the kfw. table 5.2 provides an overview of the amount of subsidies allocated to project owners under the local authorities loans programme managed by the kfw.
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