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Fees to be collected by the forest service. following the publication of the interim rule, the public will have 60 days to respond with comments for the forest service to consider in the development of the final rule weeks 2004 ; . in the meantime, draft forest service regulations to implement the pilot program's charges and fees are currently in review. the pacific northwest region oregon and washington ; and the alaska region have special forest product appraisal systems developed and posted on their web sites, and the northern region is still in the process of system development and dissemination. as the northern region has moved from the traditional free use to the more recent fee-use policy for commercial special forest product use, huckleberry harvesting issues continue to make systematic and consistent resource management difficult to implement. as noted in previous chapters, many pickers and buyers have claimed that improperly applied mechanical harvesting methods damage the long-term sustainability of the berry bushes. such claims are particularly common regarding the "beaters" as well as pulling bushes out of the ground and picking the berries off the branches conveniently from the back of a pickup truck. less objectionable, but ultimately much more controversial, is allowing the use of the mechanical "canrake" picker. although many harvesters believe that careful use of the picker does not significantly damage the berry patch, there has been limited scientific evidence that indicates mechanical pickers may negatively impact huckleberry production in the wild. stark and baker 1992 ; claim that such pickers or "rakes" damage the bushes since rakes can remove 20 percent to 30 percent of the foliage, resulting in a 15 percent to 25 percent reduction in starch storage. reduced starch availability will reduce growth and in some cases fruit production for the coming year. the leaves normally remain on the bushes for one to two months after the fruit ripen and store photosynthate for future energy demands. stark and baker 1992: 49 ; in contrast, daniel l. barney has used berry rakes and finds that they can be used so that less than 5 percent of the leaves are removed. he claims that rakes are most effective on v. parvifolium and v. ovalifolium because of the orientation of the fruits and and canes and moderately effective on v. membranaceum and v. deliciosum. he notes the complex ecological factors that may interact with raking and bush sustainability. these include the plants' recovery potential from damage to foliage by other herbivores, pests, and.

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Since i'm apparently late with this letter, the spring garage sale is come and gone. it was a lot of lifting and carrying early saturday morning but worthwhile for the closet and basement space we gained. benjamin harrison summers came by and bought a security device from us, too. i hope everyone had a good day! the easter egg hunt was a big success, too. many thanks to the social committee and everyone who worked on the event, including the easter bunny. a zoning case has come through my mail slot that has me a little concerned. nothing really comes "across my desk." it just comes in and sits. ; the case is an application to change the zoning at 2711 park hill from b duplex ; to pd planned development ; . 2711 park hill is the property at the southwest corner of st. stephen's, sometimes called "the mansion." the pd zoning is for the purpose of building about 30 town homes on the property. my concerns are that the whole length of park hill drive may soon be lined with multi-family dwellings or commercial properties, and that the town homes may have adverse impacts on the park hill and university place neighborhoods. several neighborhood leaders will be meeting to discuss this and other developments in the area, and i'll follow up with reports at the next bpa meeting, on the buzz, and in the next poobah. earlier this year, we received a letter from parks and community services about a new grant program for neighborhoods and community groups to develop parks in their area. the city will be devoting some of the revenues from gas drilling to improving parks --but will require neighborhoods to match the grant amount. we submitted an application april 28 for a grant to improve tillery park. through the efforts of the bpa and close-by neighborhoods, we plan to beautify tillery park by removing excess brush and trimming overgrown shrubbery, by planting trees along the perimeter of the play area, and by replacing the existing playground equipment. we'll probably know if we won a grant in june. our thanks go to the committee headed by jennifer tayag and reid rector for the preparation of the application. don't forget, we vote on the upcoming officers at the may meeting. the proposed slate is chris shipman as president; mary dulle as vp and president-elect; michelle rector as secretary; and jack larson as treasurer. upcoming events with the spring garage sale gone, the berkeley summer events are upon us. here's the line-up. friday, june 9 is the pool party, at the forest park pool. bpa will rent the pool so we'll have it to ourselves, and there will be lifeguards on duty. there will be hot dogs on the grill, chips, and sodas. the fun starts at 7 p.m. on the 9th. the bpa fourth of july parade is next. paraders should meet at warner and wilshire between 9 and 9: 30 a.m. the parade kicks off at 9: 30 a.m. as before, there'll be prizes for most patriotic boy, most patriotic girl, and most patriotic pet. non-paraders should line the way and cheer loudly. bring your lawn chairs and wear your red, white, and blue! the parade ends at lily b, where we'll have cold drinks and sweet treats and water for the pets ; . i've said it before: the parade is my favorite event. it's an old-fashioned neighborhood parade with old cars, decorated bikes, pets and kids in silly costumes, and lots of noise. i love it! september 10 is the ice cream social. it will be at 6: p.m. on the median in ward parkway. the worst of the summer heat should be gone he said hopefully ; and it will be a good sunday night to stand under the trees, eat ice cream, and visit with the neighbors. next meeting june 14, 2006 7 p.m. zoo education bldg and school of rock jack black. 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The museum also has an impressive collection of alaska art, including a stunning display of contemporary native art from some of the most respected and well-known alaska native artists, as well as dramatic landscapes by artists like sydney laurence. the museum has at least 20 traveling exhibits each year as well as films and special programs. it is the smithsonian institute's national museum of natural history and arctic studies center regional office. university of alaska museum of the north fairbanks, ak: located on the campus of the university of alaska fairbanks, the ua museum of the north is in the midst of a major renovation and expansion set to be complete by september of 2005. this expansion will allow some of the thousands of natural and cultural exhibits currently housed in its storage area to be displayed in the museum. architectural plans for the renovation are ambitious, and attempt through form to create a space that evokes alaska. the museum is open throughout the renovation, and in the meantime there is much to see: the gallery of alaska has art and artifacts and flora and fauna from alaska's five regions. no trip to this area of alaska would be complete without a visit to the ua museum of the north. if you go saamis teepee medicine hat, alberta : travelalberta 800 ; 661-8888 head-smashed-in buffalo jump fort mcleod, alberta : head-smashed-in 403 ; 553-2731 secwepemc museum and heritage park kamloops, british columbia : ohwy bc s secwepem 250 ; 828-9801 `ksan historical village hazelton, british columbia : ksan 877 ; 842-5518 haida gwaii museum and queen charlotte islands british columbia : hellobc 800 ; hello-bc university of british columbia museum of anthropology vancouver, british columbia : moa.ubc 604 ; 822-5087. December 10, 2004 deadline for applications to the artists' portfolio review and career develop-ment workshops for the 2005 annual conference in atlanta deadline for critics and curators to apply for the artists' portfolio review at the 2005 caa annual conference in atlanta deadline for mentors and discussion leaders to apply for the professional development roundtables at the 2005 caa annual conference in atlanta deadline for mentors to apply for the career development workshops at the 2005 caa annual conference in atlanta december 15, 2004 deadline for early bird registration for the 2005 annual conference in atlanta deadline for nominations and self-nominations to the millard meiss publication fund jury january 1, 2005 deadline for applications for projectionist and room-monitor positions at the 2005 annual conference in atlanta january 7, 2005 deadline for nominations and self-nominations to the caa nominating committee january 10, 2005 deadline for participation in "open screen" at the 2005 caa annual conference in atlanta deadline for submissions to the march 2005 issue of caa news january 12, 2005 deadline for advanced registration and inclusion in the directory of attendees for the 2005 caa annual conference in atlanta january 31, 2004 deadline for applications to the caa professional development fellowship program february 1, 2005 deadline for nominations and self-nominations to the caa.reviews editorial board deadline for participation in "arts exchange" at the 2005 caa annual conference in atlanta february 1619, 2005 93rd caa annual conference in atlanta february 18, 2005 deadline to return ballots for the caa board of directors election and portable black jack table. December 15, 2000. tucson, worried about a talk, reading on the road. i'm in tucson in a motel, here to give a talk based on saucer wisdom to a genomics conference. i keep thinking about on the road, which i'm rereading this week. i got a copy at city lights in sf last week. oh, by the way, i finished writing a story called "a use for the ellipse the catalog the meter & the vibrating plan" yesterday, it was the first time i've just written for fun in such a long time. as opposed to grinding it out for the latest novel. writing this story in an experimental, screwing-around, sunday painter kind of vein. title is based, of course, on a line from howl. ; i sent it to this pro-bono charity-ball kind of anthology john shirley's involved with, i guess i mentioned it before, it's called desperation street, the proceeds are to go to crack mothers. anyway, the north beach outing got me back into the beats again, i guess. thinking of jack and neal here alone in tucson. this is a road trip modern style: you fly somewhere and rent a car. not that you see all the good back road stuff, which is the real joy of a road trip. another thing that got me back to on the road was having reread my own secret of life last week in a newly typed up version for an e-book from electricstory . i'd always fondly thought of secret as my road, though now, seeing them so contiguously, i really have to admit i don't hold a candle to jack. i did what i did, that's enough, i don't need to go and pretend i did more. my routine of comparing the cyberpunks to the beats -- what a crock. not that i disdain secret, it has some great sf transreal twist to it. although the constant drinking did start to grate this time around. ; but the main thing i'm thinking is that secret has nothing like the complexity of characterization in road. as i writer i'm more inner-directed, more self-centered, less generous and less lyrical than jack. the way he describes the weather and the sky and the sunsets! and, most specifically, i don't have any character like dean moriarty that i delve into in such richness, and with whom "my" character has such a complex relationship. so naturally my clever simian mind turns to thinking about how i might better ape the master. could i put a dean moriarty into spaceland? probably too late for that, though maybe something can be done with wackle. a better move might be to really thicken and complicate tulip. as a lifelong transrealist, i have this kind of blind spot about how to invent characters. it's painfully slow, like growing a body in a vat or something. so much more work than simply collaging in a real person. and i tend to not feel confident that i can invent enough tics and tricks to match the texture of reality. but i need to remember that it really doesn't take all that many actual words. it's like in a painting, if someone just draws a red line across the top of a green meadow patch, the eye reads it as a lovely scattering of poppies in bloom i recently saw this particular trick in a somewhat cheeser gallery in los gatos ; . a beginning painter might think, "god, i can never paint all those individual flowers in that meadow, i can't paint a blooming meadow at all." but then a skilled and crafty cheeser just wipes some stripes and dibs some dabs and the eye is satisfied. by the same token, i tend to be afraid to try and create characters out of whole cloth because of the staggering complexity of growing the fully convoluted brain in the jar, but in fact all i need is like fifty at most ; catch phrases and tropes to make the person seem fully rounded. dean's "mad bony face." his "yes" and "yas." of course dean was in fact collaged in, but one could, after p. 108. 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