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Traits most desired by both men and women were psychological rather than physical traits. these psychological traits included kindness rated #1 by both sexes ; , intelligence rated #2 by both sexes ; , exciting personality, adaptability, and creativity. the only physical traits to make the top seven were physical health and physical attractiveness. purely sociological or economic traits such as social class or wealth ; did not feature prominently in self-reported mate preferences in either sex of any culture. there is abundant evidence now for the importance in human mate choice of creative intelligence e.g., miller 1999a, 2000c; kanezawa 2000; reynolds & gifford 2001; zechner et al. 2001; li et al. 2002; lynn et al. 2002; zebrowitz et al. 2002; ; and kindness e.g., goldberg 1995; johnson 1996; dessalles 1998; kelly & dunbar 2001 ; from fitness indicators to human culture what do fitness indicators have to do with human culture? the biological signaling theory that explains naturally evolved fitness indicators is remarkably similar to the theory of conspicuous consumption developed by thorstein veblen 1899 ; to explain extravagant culturally invented luxuries miller 1999 ; . highly fit animals show off their genetic quality by growing costly, precisely formed ornaments that their lower-fitness rivals cannot afford or imitate. likewise, wealthy humans show off their pecuniary prominence by buying costly, precisely formed luxuries that their poorer rivals cannot afford or imitate. indeed, the 20th century saw a parallel but largely independent development of signaling theory in biology to explain costly sexual ornaments--e.g., johnstone 1995; zahavi & zahavi 1997 ; , in economics to explain costly, conspicuous advertising and marketing efforts by corporations--e.g., frank 1999; hellofs & jacobson 1999; kirmani & rao 2000 ; , and in sociology to explain costly, conspicuous badges of social status--e.g., veblen 1899; packard 1960; bourdieu 1987; illouz 1997; neiman 1997; gagnier 2001 ; . how deep do the parallels go between these three strands of research--biological signaling theory, economic signaling theory, and sociological signaling theory? a skeptic might accept that the basic logic of costly advertisement may be the same, but argue that the functions of human economic and social-class signaling must be quite different from the fitness-indicator function of sexual ornaments in other animals. that is, we may display our wealth and status not to attract sexual partners, but to do something else. this view maintains the comfortable division between the animal world of genes, traits, and sex, and the human world of culture, ideology, and money. however, i think the reasonable default view is that our wealth-displays and status-displays serve much the same mate-attracting and mate-retaining functions as the fitness-displays of other species. one way to see the potential overlap of functions is to consider in more detail the typical features that are shared by biological fitness indicators and human cultural displays such as art, music, and story-telling. conspicuous cost and conspicuous precision in fitness indicators fitness indicators often look rather different from standard naturally selected adaptations that solve standard survival problems. the evolved function of indicators is basically to advertise an individual's fitness to other individuals. the only way to do this reliably is to grow a trait, or to emit a behaviour, that a lower-fitness rival could not produce in such a high-quality form. thus, fitness can be advertised according to several overlapping principles: do something that a lower-fitness rival could not afford to do--in terms of time, energy, resources, or risk. do something that would make your mutations, health problems, and psychopathologies very conspicuous. do something that requires special virtuosity to overcome some difficulty. do something that is very hard to do well, and very easy to do badly and find online casino.
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"when i was a young man about twenty years old i stayed with a woman out on the old broadway road. that was about forty years ago . the house is that old log house near mill creek. everyone said she was a witch and i know she was one, although she never did me any harm. i worked for her until she died. i think she had me bewitched, for mother and all my folks tried to get me away from her, but i just stayed on. she had a large farm and lots of cows. we took butter in to quincy. the boys around on other farms wanted to know if i were not afraid to stay with a witch, said she could turn herself into a big cat or calf; wanted to know if i didn't see them running around at night, said other people did. i will tell you what i did see one night, and every word i going to tell you is so, for what i see with my own eyes i know is so. she had two adopted daughters, got them from the orphan home in st. louis. i was just a little sweet on one of the girls, was trying to flirt with her. one night after the chores were all done on the farm and in the house, we were all sitting in the front room of the old log house --- if you have ever been out broadway, you can remember seeing the old house near mill creek --- the old woman said, 'let's have some fun.' how well i can remember it. never will forget it. she started to saying something and waving her hands over her head. did you ever see a table move? we had one of those old-fashion square tables with drop-leaves like they used to use years ago. i not lying to you. every word is so. that table started to walking all around the room. then the pictures on the wall one by one drop to the floor and didn't break. was i getting scared? i can't tell you how i felt, but i could not move. even the looking-glass came down. i thought sure it would break, but it just slip down easy. i didn't move. i just could not get off that chair. then cards started to coming down from everywhere. the floor was just covered with them. i had never seen but one deck of cards in the house. i just don't know where so many cards came from. i happen to look up to the ceiling and there was a big black cat on the ceiling. it was sure a big one. i believe it looked as big as a calf. oh, such big eyes! and the tail! well, i think it went across the room. i thought so that night. man, o man! was i getting scared! i couldn't of moved if the house had of been on fire. i never will forget that night. it has always been with me. she liked me and never did do anything to me. she could see how scared i was, and after it was all over, she gave me a piece of pie. i ate the pie, for i didn't know what she might do to me. i getting ahead of my story. before she gave me the pie, she went to saying something and waving her hands over her head, and every picture went back on the wall --- even the looking-glass that i thought would break any minute. the cards disappear. even the black cat went through the ceiling. after i went upstairs that night i looked everywhere to see if i could find a hole where the cat got through, for i slept up in a little attic room over where we were sitting in the front room. you bet i didn't sleep any that night. sure was glad when daylight came. my folks done everything to get me away, but i stayed three years after that, stayed until she died." mixed. 16140. "my mother lived in zanesville, ohio, about sixty years ago  before they moved out here on a farm. said they had a man witch in the neighborhood that could turn himself into a black cat. said this cat would hang around the house every day, not only hers but other houses. when this cat would appear, this man would disappear. this man would go around and tell everything that happen where the cat had been, even could tell what you had to eat. she said everyone was scared to death of him. the old witch man died before mother moved out here. said everyone was sure glad, for they could not do a thing he didn't know." german. witch in shape of deer 16141. "my great-grandmother knew a woman that had two daughters and they could turn themself into anything and put a spell on you. everyone around in the country was afraid of them. people would miss things all the time, like corn, and even garden things like beans and peas and cabbage would go. everyone was afraid to say anything, afraid they would put a spell on them. one day a man got up and found a lot of things gone, and he happen to look out in his garden and saw two deer eating up his peas. he went and got his gun and shot at the deers several times but didn't hit them. he was so mad he pulled off a brass button off of his coat and put it in the gun and shot at them. this time he hit one of the deers in the front leg. then they left. several days after that, this man was going by this old woman's house, and one of her daughters was out in the yard with a broken arm where he shot the deer in the front leg. the neighbors never had any more trouble with deer eating their garden things after that." german. 16142. "my mother's uncle was a great hunter, he was always hunting, he just lived in the woods. there was a woman that lived about one-half mile from my [great-] uncle's house. he always thought she was a witch. his mother thought it was because he didn't like the woman. one day when out hunting, a deer came real close to him. he shot at it several times and could not hit it. this happen several times when out hunting. so this time he went and drew a picture of this woman he thought was a witch, and shot at the picture, calling her name. he just grazed her forehead. he said if he had of shot at her heart she would of died. he didn't want to kill her even if she was a witch. my uncle started home and when he got there, this woman's daughter was at his mother's house wanting her to come and help her mother, said she had fell down and cut her forehead. my [great-] grandmother went and took care of her. in those days the neighbors would go and help one another. my uncle knew she was a witch then, but didn't say what he had done, about drawing the picture out in the woods, to his mother. and this woman left my uncle alone for a long time, until one day the deer was following him again and he could not shoot it. it bother him for several times, then he knew the witch was up to her tricks again. so he sit down in the woods, drew another picture of this woman, and this time shot at her arm. the daughter came the second time for his mother, said she had broke her arm. my uncle came up just as his mother was leaving and said, 'you stay home, i going this time.' my uncle told this woman, 'if you ever bother me again, the next time i shot i will shot to kill, and left. and the woman never bother him again. then he told his mother what she did and she never went again." german. witch in shape of dog 16143. "this is so and it happen right out here in ellington [township]. two farmers were talking about seventy-five years ago  and one said to the other, 'i could come to your farm all the time and you would not know me --- the truth is, i come all the time and hang i around and you don't know me.' the next morning a big dog was hanging around in the barn lot with a collar on. the man thought the dog was after his sheep, so he picked up the cornknife and hit the dog on the collar real hard. the dog holler. and there stood his neighbor instead of the dog. he.
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