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Justin thomas presented the preview of his autobiographical play at the st. lawrence centre, toronto. i attended and enjoyed the performance in my dual role as spectator and as participant in the original unfolding drama. my first encounter with justin took place in the spring of 1965. i recall answering the phone and hearing the voice of a young man requesting private psychological counseling. as i already had a heavy case load and numerous other commitments, i expressed my regrets and attempted to decline. i shall never forget the emotional plea that followed. it was so unlike the usual reserved and controlled request for an appointment. in a sense it was not a plea, but a haunting cry for help, the cry of the drowning man. he also assured me he was by no means requesting free service, as he had a private source of income consisting of .00 per week. i began to wonder. was it naivet or total unconcern and indifference to monetary values that play so vital a role in the lives of most of us? i became intrigued. when we finally met, i found a young man thoroughly beaten by life. he had the typical rejected childhood syndrome. he was tense, anxious, frightened and insecure, but undaunted in his will to live and create. he had become emasculated and dehumanized by his years of sorrow and tragedy. he had lost his capacity to read, to write, or to think coherently. if ever there was a man who had lost faith in himself and had a pathologically poor self concept, it was justin thomas. "justin was physically and sexually abused by his parents throughout his developmental years. he was also mentally tortured by being labeled with derogatory terms. he did indeed experience difficulty in school, but not because of mental retardation, but rather due to a learning disability, as well as to his tortured frame of mind. since intelligence was an issue in his life, his parents perceived him as being in the lower levels. . . i would estimate his iq would range anywhere from superior to very superior. i would declare that his current high level of intelligence also applied during his childhood, when he was viciously mislabeled. all humans experience two realities, the physical reality and the psychological reality. for justin thomas, physical reality was akin to a concentration camp, a countless source of pain and suffering. he had been beaten by life, ridiculed, humiliated and became too timid and obsequious to confront his enemies. his subsequent disassociation compounded the problem. "i remember that spring day of 1965 vividly when i received the urgent request from the young man for an early appointment. when justin thomas appeared, in a subdued and halting voice, he referred to his school difficulties and his inability to read or write. as the interview progressed, he began relating a history of physical and sexual abuse by parents, and a scornful and humiliating treatment by relatives. after having been labeled throughout his developmental years as dimwit, dope, halfwit, etc., to receive an invitation to two academic programs along with illustrious educators was a spiritual rejuvenation for justin thomas. mark slade, one of the `master educators' who extended the invitation to justin, a senior representative of the national film board of canada, took note of the insightful observations of his protg during the courses, having assumed the role of justin's mentor. justin was encouraged by mr. slade to continue his research `probing the barriers that hinder human communication, ' now under the auspices of the canadian government's nfb. justin was told by mr. slade to take as much time as he wanted and that he would have the full support of the national film board. "before long, justin left for the united states where he naturally gravitated to leading authorities in american psychotherapy. the process of self discovery began in earnest, followed by the.

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The picture will be clearer with the nightshot light on. to enable nightshot light, set n.s. light to on in the menu settings p. 84 ; . notes do not use the nightshot function in bright places ex. the outdoors in the daytime ; . this may cause your camcorder to malfunction. when you keep nightshot set to on in normal recording, the picture may be recorded in incorrect or unnatural colors. if focusing is difficult with the autofocus mode when using the nightshot function, focus manually. do not cover the nightshot light emitter when using the nightshot function. detach the lens hood when you shoot with the nightshot light since the lens hood may block the nightshot light. while using the nightshot function, you cannot use the following functions: exposure program ae white balance while using the super nightshot function the shutter speed is automatically adjusted depending on the brightness. at that time, the moving picture may be slow down and play slot machines online. Irs issues a new and improved tip reporting program on july 28, 2006 the irs outlined a new tip reporting procedure effective january 2007, which should make many restaurateurs' lives much easier. the attributable tip income program atip ; keeps many of the benefits of the other tip reporting agreements, such as the irs agreeing it will not initiate tip examinations of the employer or employees during the participation periods. in addition, atip does not require employers to meet with the irs, nor require them to sign an agreement. also, employees will not have to keep a daily tip log or other tip reporting records, and the calculation method is much simpler. the "formula tip rate" is simply the "charged" tip rate minus two percent. election to participate is as easy as checking off the corresponding block on the annual form 8027. there are several requirements. at least 20 percent of gross receipts must be "charged receipts" that reflect charged tips, 75 percent of employees must agree to participate, and a reasonable employee "attribution method" must be used. restaurateurs will find that atip has all the advantages of previous programs but also greatly lessens the administrative burdens of data collecting and hounding employees who continually forget to report their daily tips. for more information, visit the irs website at: : irs.gov newsroom article 0, , id 160536, 00. Shown at left with optional regal slot stand and slot machines tips.

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In rio grande city in june. we will honor alex with a "farewell send-off" during our 9: 30 morning fellowship on sunday, june 3. that day also marks one of the most important and meaningful events of the year as our youth mission team is commissioned at the 11: 00 service on june 3. they will then leave for their annual mission trip in rio bravo, mexico where they will build 2 houses for some needy families there. and, of course, our special summer sundays in worship begins june 3 and continues throughout the summer as jerome malek has some very special musicians lined up to help lead in our 11: 00 summer worship services. also that first week in june, our southwest texas annual conference will be held in corpus christi beginning on wednesday, june 6 and concluding with the ordination service on saturday morning. norman and i have some responsibilities in relation to our membership on the board of ordained ministry that we do at conference. norman is in charge of the program and celebration of the clergy who are retiring this year and i hosting a luncheon for our "extension ministers, " those who are appointed beyond the local church. one of the agenda items at conference this year is the election of lay and clergy delegates to the general conference and jurisdictional conference. that "beauty and popularity contest" is always fun to watch. june continues with our vacation bible school the week of june 18 through 22 culminating with our "children's sunday" on june 24. children from our weekday school and laurel heights youth center are invited to learn while having fun ; some of the basics of the christian faith. we will also have weddings, baptisms, anniversaries and vacations to keep us from getting too lazy! so, summer is here, and the church continues to remain active even though many of our church family will be away on vacation. i invite you, as much as you are able, to be fully involved in our summer programs as we continue to support the church with our prayers, our presence, our gifts, and our service. god bless.
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A little history. louis fouquet opened his restaurant on 99, avenue des champs-elyses on 8th november 1899, which was to become, in the eyes of the world, "the" restaurant in paris. by the turn of the 20th century, le fouquet's had already become the celebrities' favourite haunt for parties. during the 1st world war, the bar at fouquet's became known as the "bar de l'escadrille * " because all the heroes who brought glory to the french troops used to meet there * escadrille squadron ; . from 1928 onwards, le fouquet's attracted the privileged world of film stars with the opening of the first cinema on the champs-elyses. raimu, marlne dietrich and marcel pagnol rapidly became regular figures among the political and high society personalities. in may 1976, le fouquet's was bought by maurice casanova who invited his friends along from the left bank of the seine associated with arts, especially literature ; including jean-paul sartre, simone de beauvoir, but also franoise hardy and jean-paul belmondo. now that stars of the golden screen were becoming regulars, the entire paris smart set was there! in 1998, diane barrire-desseigne finally bought le fouquet's, which she had adored ever since her childhood with memories of sunday lunches there with her father. first of all on the champs-elyses in paris and then on croisette boulevard in cannes, the famous fouquet's has now come to toulouse! legendary, prestigious, yet at the same time offering all the warmth and friendliness that one expects from the grand french brasseries. le fouquet's: 170 servings in the restaurant, 60 seats on the terrace and a private room that may be hired ; named "du ct de chez diane" 19 seats ; , in memory of diane barrire-desseigne. regarding the decor, pascal desprez suggested updating certain aspects, but did not wish to change key elements such as the two famous monumental chandeliers, photos of actors and actresses, the floor plaques from the csar awards, the mahogany and the gold leaf. the atmosphere varies to suit everyone: a lounge area with le corbusier armchairs for relaxation, long tables to share time with friends, a sitting room for a cosy atmosphere, or a more traditional set up with booths, chairs and round tables. the panoramic terrace is an unbeatable spot to prolong those beautifully long summer evenings whilst admiring the view of the park and the river garonne. in tribute to toulouse's leading role in the aerospace industry, an air pressure valve from concorde, a collector's item, stands proudly in the centre of the legendary "bar de l'escadrille". chef eric cocollos, who learnt the ropes in prestigious parisian restaurants la tour d'argent, plaza athne etc ; offers customers a magical culinary experience based on top-quality regional and seasonal produce, guaranteed to make your mouth water. a selection of vintage wines is also on offer to go with the most refined dishes. a unique meeting place for those special moments; the very best of luxury french brasseries. open every day for lunch and dinner. Indonesian clearing and payment systems are managed by bank indonesia bi ; . currently, the clearing system is characterized based on net settlement system nss ; by the use of paper-based for debit clearing e.g. cheque and bilyet giro and paperless instruments for credit clearing. a new system, the so-called sistem kliring nasional skn ; , has been established for low value transaction in july 29th, 2005 for jakarta only. implementation for other areas within indonesia will be done in stages. skn is limited to the amount of idr 100 million only. funds transfer above idr 100 million must be done electronically via rtgs real time gross settlement system ; introduced in november 2000. however, clients have the option to use rtgs for amounts below idr 100 million. whilst the most common instruments used are cash, cheque and payment transfer, the use of credit cards and debit cards is becoming increasingly popular, especially in major cities. for the on-going use of credit nota, bi currently keeps settlement account in each particular up-country location. for cheque clearing, effective from january 27th, 2003, bank indonesia implemented inter-city clearing system which allows member banks to treat an upcountry cheque as a city cheque. therefore it will only take 1 one ; day to clear it. the real time gross settlement system rtgs ; is a non-cash payment system implemented by bank indonesia in 2001, settling in real time. only 2 years later, in 2003, rtgs was established in the entire bi region and top dollar slot machine.

Speckles, and contrasts are light, but the presentation is workable. the tinted scenes are brief. there is a modest mono piano score. the second short is very bizarre. the frozen north, from 1922, runs 17 minutes and is presented as a relatively complete `fragment.' set in the alaskan gold rush, it is consistently funny, but keaton's character becomes involved in a number of serious crimes before he is conveniently explicated from his dilemma. it is as surreal emotionally as it is visually, and is a highly stimulating work. the picture is fairly worn in places and details are subdued at times. there is another mono piano score. we don't care much for keaton's college k129dvd, ; , about a brainy freshman being forced into athletics by peer pressure. the characters are unappealing, the story is a drag and even the gags are more contrived or forced than usual. still, the 1927 feature does showcase keaton's talents and is certainly worthwhile if one wants a complete collection of his films. the black-and-white picture looks much sharper than the ld, bringing out more details in faces and backgrounds. the image is generally clean, with decent contrasts. the 66 minute program is accompanied by an unobtrusive monophonic organ score. it is the three shorts accompanying college that really make the dvd worthwhile. in the electric house, from 1922, which runs 23 minutes, keaton's character has wired a house with wacky convenience devices for a client. not only are the devices inventive a tub moves on a track so the bather can slip into it directly from his bed ; but, thanks to a devious rival, they all eventually go haywire. facial details are a bit washed out in some longer shots and there is some damage on the source material along with constant speckling, but the presentation is workable. it is accompanied by a monophonic piano-andstring score. hard luck, from 1921, is an inspired piece that is partially about the hero's creative but always unsuccessful attempts to commit suicide and partially about foiling a villain's attempt to take hostages at a hunting lodge. a number of the gags, such as keaton's work with an equally talented horse, are highly balletic. the 22 minute effort is accompanied by a monophonic piano score. the source material has substantial damage in spots and a lot of grain, though the natural crispness of the dvd helps to bring out details. the blacksmith, from 1922, is a fairly standard effort in which keaton, as the assistant, mucks up every job he tackles. the gags are less imaginative than in the other two shorts, but some are still fairly elaborate. the 23 minute program has another mono piano score. the source material has significant damage in a couple spots, but is otherwise fairly sharp, with effectively detailed contrasts. unlike some of the films, there are stretches that are speckle and scratch free! Year-to-date estimated tax on gross revenue year-to-date table and other games win ., 432, 705 year-to-date slot machine win . 5 128; 930, total year to date win . $ 145, 362, 981 less adjustment for uncollectible patrons' checks: provision for uncollectible patrons' checks . $ maximum adjustment 4% of line 24 ; .$ 5, 814, 519 adjustment the lesser of line 25 or line 26 ; . $ gross revenue line 24 less line 27 ; . $ 145, 362, 981 estimated tax on gross revenue 8% of line 28 ; .$ 11, 629, 038 and slot machine store.

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