Impress the trousers off him with all my new knowledge of bicameral legislatures and statehouse charters and the like. it seemed like a sensible plan, because he really cared about all that crap. you know how some guys have an entire wall of cds in their apartments, and know every last mindnumbing detail of the career trajectories of bands like the ozark mountain daredevils? chas was like that about u.s. history. back before our whole thing happened, when we were still just friends who spent all our time together and all our time apart talking on the phone ; , we'd driven to deerfield, massachusetts, to visit the historic village there. in the vestibule of one of the village's austere, seventeenth-century clapboard houses, i flat-out asked the senior citizen manning the spool-legged info desk, "what makes you guys so historic?" chas dropped his eyes to the floor and made a noise that fell squarely between scoff and laugh. i think he was appalled at how blunt i was, how uninitiated i was to the ways of soaking up history. months later, that's the exact kind of thing that would make me burst into tears, because it would signal to me that he thought i was dumb as a brick. at the time, though, it didn't hurt. i was too in love to notice. out in the parking lot, just before going into that house, i had asked him to lock me in the trunk of my nissan. i'd always wanted to see what that was like but had never really trusted anyone enough to know he'd let me out. the five months we were together were spiked with other little sojourns into the american experience: to fenway park the oldest stadium in major-league baseball ; ; to the appalachian trail blazed as part of the new deal ; ; to the delaware water gap, where we visited an old time mill house that employed teenagers dressed in floor-length skirts, aprons, and bonnets. we couldn't walk two blocks in the west village without stopping to read plaques on landmark buildings on this site, washington rallied his troops! aaron burr slept under this roof! herman melville went broke here! this place was originally a stable! ; . he was always encouraging me to rent mr. smith goes to washington, and when it became apparent that i was.
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Since the legislation passed in arizona, voter turnout has increased, and more minorities, women and people without big bank accounts have stepped forward to run for office. james posey, a mayoral candidate in this year's primary elections, said portlanders will see a better caliber of politicians, if the ability to raise large amounts of money becomes less important. "when i ran for mayor it would have been easier to put together a professional staff to get my message out, " posey said. "i spent a lot of time worrying, lying awake wondering how i was going to pay for everything. "if we had campaign finance i probably wouldn't have needed to run because people who are smarter, brighter and more qualified than me would be running. there would be more black people running, people with integrity and a sense of what this city really needs -- but they get clobbered by millions of dollars. it really does level the playing field." according to data from the center for responsive politics, a nonpartisan research group, nationally less than one-tenth of 1 percent of the u.s. population gave 83 percent of all campaign contributions for the 2002 elections. jamaal folsom, a consultant to the money in politics research action project, which co-sponsored bolton's visit, said under the current system politicians are beholden to their financial backers. "having worked in city hall, i've seen how the process works and how decisions are made, " folsom said. "it's not always in the best interest of the public. politicians shouldn't have to choose between making decisions in the best interests of their constituents and making decisions that serve the interests of those who are lining their pockets. in my opinion this is one reason why the african american community has been disengaged -- there's a cloud of mistrust that lies over city hall." folsom added, "we've got an all-white, all-male city council right now -- don't get me wrong, they are all good people -- but that doesn't represent the city i live in." sizemore thinks that public funding of elections would make little difference on the way the system currently works. "i think if you gave the voters the choice statewide they'd say -- i'd say, in fact -- `let the politicians use their own money., ' " sizemore said. "don't use my tax dollars to support someone i politically oppose. "there is a constitutionally protected right for candidates to spend as much of their money as they like, so having a public election would be pretty much meaningless if one or more of the candidates was independently wealthy." the rev. bolton said she first realized the importance of the issue 15 years ago, during a city.
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| 896. stephen graham bruce was born on 16 dec 1947 in orange, orange co., tx. he was married to dena delores blackman daughter of chester john blackman and bernadette clotilde boswell ; on 9 oct 1976 in austin, travis co., tx. dena delores blackman was born on 18 aug 1938. 897. jacqueline wiech was born on 3 dec 1942 in miami, dade co., fl. she was married to kenneth o'neal lynch son of patrick o'neal lynch and rose ; on 24 oct 1961 in houston, harris co., tx. she was divorced from kenneth o'neal lynch in 1966 in cameron co., tx. kenneth o'neal lynch was born on 3 oct 1940 in houston, harris co., tx. jacqueline wiech and kenneth o'neal lynch had the following children: + 1373 i. john dee lynch.
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Locke, with jackson's last rhythm section of pianist mike ledonne, bassist bob cranshaw and drummer mickey roker, delivered a hard swinging set of songs associated with the late great mallet master at the kitano sep. 4th ; . the group opened the second set playing jackson's "the prophet speaks" with locke lyrically swinging the uptempo number with strong support from the tight trio as he soloed. ledonne followed, bopping in with some monkish chords prodded by roker's smoking stick work. a short bass interlude introduced a drum break before the band took things out. the quartet next presented a relaxed reading of ray brown's arrangement of "the look of love" with ledonne and locke interacting on the well known melody. locke joked with the crowd as he introduced his soulful tribute to roker, "big town". cranshaw and roker opened up a smoking rendition of jackson's "namesake", after which a short conference led to "stairway to the stars" as the set's ballad feature. the show's requisite blues, "used to be jackson", set a straightahead finger snapping groove that smoothly segued into john clayton's slow and dirty "serious grease', which was rendered with ironic humor. locke introduced david watson, who sang his newly crafted lyric to "big town", recalling new york's role in the early glory days of bebop. the quartet closed the set appropriately with a burning rendition of jackson's "bags groove". rm.
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